Minggu, 28 Juni 2015

> Free PDF Decades of Crisis: Central and Eastern Europe before World War II, by Ivan T. Berend

Free PDF Decades of Crisis: Central and Eastern Europe before World War II, by Ivan T. Berend

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Decades of Crisis: Central and Eastern Europe before World War II, by Ivan T. Berend

Decades of Crisis: Central and Eastern Europe before World War II, by Ivan T. Berend



Decades of Crisis: Central and Eastern Europe before World War II, by Ivan T. Berend

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Decades of Crisis: Central and Eastern Europe before World War II, by Ivan T. Berend

Only by understanding Central and Eastern Europe's turbulent history during the first half of the twentieth century can we hope to make sense of the conflicts and crises that have followed World War II and, after that, the collapse of Soviet-controlled state socialism. Ivan Berend looks closely at the fateful decades preceding World War II and at twelve countries whose absence from the roster of major players was enough in itself, he says, to precipitate much of the turmoil.

As waves of modernization swept over Europe, the less developed countries on the periphery tried with little or no success to imitate Western capitalism and liberalism. Instead they remained, as Berend shows, rural, agrarian societies notable for the tenacious survival of feudal and aristocratic institutions. In that context of frustration and disappointment, rebellion was inevitable. Berend leads the reader skillfully through the maze of social, cultural, economic, and political changes in Hungary, Czechoslovakia, Yugoslavia, Poland, Romania, Bulgaria, Albania, Austria, Latvia, Lithuania, Estonia, and the Soviet Union, showing how every path ended in dictatorship and despotism by the start of World War II.

  • Sales Rank: #1747349 in Books
  • Published on: 1998-06-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.49" h x 6.30" w x 9.34" l,
  • Binding: Hardcover
  • 437 pages

From Kirkus Reviews
Inspired by the example of historian Eric Hobsbawm's grand syntheses of European history, Berend (History/Univ. of Calif., Los Angeles) applies a similar method to exploring the tumultuous history of Central and Eastern Europe during the first half of this century. First published in Berend's native Hungary, the study was expanded for its English-language publication. The result is wide-ranging, both in the variety of areas examined and in geographical scope. At its core is an appraisal of the revolutionary forces that, since the turn of the century, have steered social, political, and economic trends in the region toward nationalism, fascism, communism, and right-wing dictatorships, while also creating a parallel upheaval in culture and the arts. The effects of railroad development and economic nationalism are discussed by Berend, who is a specialist in economic history, along with Kandinsky, Schnberg, and Jugendstil. Although it serves his purpose of highlighting the revolutionary character of the period, the author's inclusion of Russia seems off, since Central and Eastern Europe ordinarily are considered a distinct geopolitical unit. At the same time, Berend discusses only minimally such other countries as Slovenia and Bulgaria; his main interest is Romania and Czechoslovakia, along with Russia and Hungary. His study also contains additional flaws. Foremost among these is an overall cursory attitude; the book is too general for the experts, who will want more than just a learned rehashing of familiar territory, and too vague for the general reader, who is searching for depth and analysis. The chapters on artistic movements and on communism are particularly weak, with considerations of familiar figures and -isms reading like formulaic encyclopedia entries. Berend's strikingly dry narrative style doesn't help to enliven his rich material, although the book's 94 photographs do. -- Copyright ©1998, Kirkus Associates, LP. All rights reserved.

Review
"Berend's book is the broadest synthesis of the modern social, economic, and cultural history of the region that we possess, probably in any language. Much of the narrative is masterful, and of an unparalleled richness, both in fact and insight. This work displays well the broad erudition of its author."--John Connelly, "Journal of Economic History"

From the Inside Flap
"Like Eric Hobsbawm's masterful histories of economic, social, and cultural change in Europe, Berend's book covers a vast variety of changes, and convincingly shows that they were all related."—Daniel Chirot, author of Modern Tyrants

"A dozen fermenting societies floundering through choppy times are brilliantly brought together in Ivan Berend's informed, lucid and readable account of Central and Eastern Europe before World War II. Berend has achieved a splendid synthesis not to be missed by specialists, yet accessible to the general reader."—Eugen Weber, University of California, Los Angeles

"Berend's work will find an eager audience of European historians, specialists in Central and Eastern Europe, and educated readers among the general population."—David F. Good, author of The Economic Rise of the Habsburg Empire, 1750-1914

Most helpful customer reviews

0 of 0 people found the following review helpful.
Awesome Author
By Belen Gutierrez
I have had the pleasure of taking a college class with the author. He has lived through the era and gave more fascinating insight into Eastern Europe. I really enjoyed meeting this wonderful historian and reading this amazing book.

7 of 7 people found the following review helpful.
Readable Comprehensive History of Central Europe before WWII
By A Customer
This is the best of a number of books that I have read that discuss the entire region - the writing style is accessible and the amount of information contained is quite comprehensive. Ten of my Hungarian, Slovak and Croatian friends who have borrowed my copy have pronounced it the best book on the region they had read in any language.

0 of 0 people found the following review helpful.
Really great historial account
By Alexandria
I enjoyed reading this and a I learned a lot from it.
Really great historial account of the time period!

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# Download PDF Managing the Commanding Heights: Nicaragua's State Enterprises, by Forrest D. Colburn

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Managing the Commanding Heights: Nicaragua's State Enterprises, by Forrest D. Colburn

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Managing the Commanding Heights: Nicaragua's State Enterprises, by Forrest D. Colburn

  • Sales Rank: #4776648 in Books
  • Published on: 1990-02-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.75" h x 6.00" w x .75" l,
  • Binding: Hardcover
  • 162 pages

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Sabtu, 27 Juni 2015

^^ Download Ebook The Mediterranean: And the Mediterranean World in the Age of Philip II (Volume II), by Fernand Braudel

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The Mediterranean: And the Mediterranean World in the Age of Philip II (Volume II), by Fernand Braudel

The focus of Fernand Braudel's great work is the Mediterranean world in the second half of the sixteenth century, but Braudel ranges back in history to the world of Odysseus and forward to our time, moving out from the Mediterranean area to the New World and other destinations of Mediterranean traders. Braudel's scope embraces the natural world and material life, economics, demography, politics, and diplomacy.

  • Sales Rank: #463310 in Books
  • Published on: 1996-07-16
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x 1.63" w x 5.98" l, 2.12 pounds
  • Binding: Paperback
  • 725 pages

Review
"Because Braudel's Mediterranean can be read on several levels simultaneously, it has an importance and a range that extend far beyond any one historical category."--J. H. Elliott, "New York Review of Books

From the Inside Flap
"Braudel's Mediterranean is a tour de force, one of the classics of this century's historical writing."—Charles Tilly, author of As Sociology Meets History

From the Back Cover
"Braudel's Mediterranean is a tour de force, one of the classics of this century's historical writing."--Charles Tilly, author of "As Sociology Meets History

Most helpful customer reviews

37 of 39 people found the following review helpful.
Kings, Pepper and the Turks: a Time of Transition.
By A Customer
This is one of the essential books that bring a solid perspective on what is the reality of history, not what commentators or national prides would like it to be.. Braudel is one of the most gifted historians of this century, and few like him can go into the inner workings of the social and economical mechanisms that drive history, really. In this well written volume, excellently translated, one sees clearly where laid the "center" of the Western world in the XVI century: The Mediterranean. Assuredly, the gold of the Americas was coming in; and the North Sea and Baltic trades were going on briskly. Nevertheless, Venice still mattered. The Mediterranean links remained the prize for Spain, the Ottoman empire and whomever had access to the locked sea. Yet, the future was close and the through the XVI there were clear signs of the shifts in power to come. Mr. Braudel work is as comprehensive as it gets. This is a gigantic canvas of the Mediterranean of the time, from its geographical and climatic descriptions, to the way that the Ottoman Empire raised money for its needs. We do not have a single hero in this almost novelistic type of work, everybody gets its turn under the sun. The result is a deeper understanding of where we come from. Even if today you live in Fairbanks, Alaska, you will feel strangely linked to the Venetian Pepper trade of the times.....

3 of 3 people found the following review helpful.
From war to peace: the Mediterranean before and after 1580
By D. Cloyce Smith
The second volume of Braudel's history of the Mediterranean region in the late sixeenth century opens with the final half of Part Two ("Collective Destinies and General Trends"), which examines political realities (empires and states), as well as social history, from landlords and nobles to bandits and slaves. Additional sections discuss culture and "civilization" (and debates the very meaning of the word), the "ubiquity" and plight of Jewish communities, and warfare and piracy. While impressionistic and necessarily sketchy, these chapters are nevertheless among the best in both volumes.

Throughout his work, Braudel repeatedly warns against such easy formulas that regard eras in terms of "rise and fall," emphasizing instead the cyclical nature of history and the "inter-relationship between change and the near-permanent." The quasi-bankruptcy of a national administration may correspond to a period of cultural renaissance, and vice versa, or might be simply a small blip on the chart of progress: "The long-term trends of civilizations, their flowering in the traditional sense of the word, can still surprise and disconcert us."

Part Three ("Events, Politics and People"), which concludes the volume, contains a "linear" and more "traditional' history highlighting the wars (and peace) between states regionally and between empires on either end of the Mediterranean. Braudel draws a fairly distinct line at the year 1580, the first year of a period of relative peace between the Christian West, which turned its attention from the Mediterranean to northern Europe and the Atlantic, and the Islamic (Ottoman) East, which became preoccupied with Persia and the Balkans. Quite notably--and deliberately--the author omits reference to the Spanish or English Armadas of 1588 and 1589; his focus is what radiates "outward" from (and inward to) the Mediterranean, not the various events, however important, that occur on its peripheries. Braudel makes a compelling case here, but too much of this "narrative" displays a tedious preoccupation with the number of boats each side launched (or was rumored to have launched) against the other in the ongoing naval offensives between 1550 and 1596. The section reads more like a specialized monograph than a survey, and, while essential to his argument, the evidence could have been more succinctly presented.

Even more so than the first volume, Braudel's history is a victim of its own success, since, inspired by his more universal approach, more accurate and compelling narrative histories of the late sixteenth century have been published during the last four decades. (Indeed, Braudel assumes the reader has more than a comfortable familiarity with the events and players he describes.) "The Mediterranean and the Mediterranean World" is still an unsurpassed monument of historiography, but general readers looking for a more thorough grounding in the politics, wars, and diplomacies of the period would do well to look at more recent works on the Spanish empire of Philip II and the Ottoman empire from Suleiman I to Murad III.

19 of 22 people found the following review helpful.
A Fitting Finish to an Astounding Work
By Nick Nicholas, MSW
I have written a review of the first volume of Braudel's history of the Mediterranean, and here will only say that it is necessary to read this second volume in order to appreciate what Braudel began in the first volume. The second volume is the more typical "history of events", but as Braudel concludes -- and correctly so in my opinion -- the history of events is founded on geography, demographics, and social and economic history. Braudel builds this foundation in the first volume, and the two volumes must be read jointly in order to fully appreciate Braudel's astounding accomplishment.

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Jumat, 26 Juni 2015

** PDF Ebook A Critical Study of Philip Guston, by Dore Ashton

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A Critical Study of Philip Guston, by Dore Ashton

Dore Ashton has updated the bibliography and added a new concluding chapter to her classic study of the paintings and drawings of Philip Guston, the only study of his work completely authorized by the artist.

Philip Guston (1913-1980) was one of the most independent of the painters whose work was loosely linked by the term "abstract expressionism" during the 1950s, and he baffled admirers of his lushly beautiful abstract expressionist paintings by moving abruptly in mid-career to gritty figurative paintings in an almost cartoon-like style. One of the few critics who saw this at the time as a progressive development in his work was Dore Ashton, who here analyzes Guston's paintings and drawings in the context of the cultural milieu in which he worked, illuminating the dilemma facing artists who try to live with, understand, and express both the ideals of art and the reality of the world.

  • Sales Rank: #2341435 in Books
  • Published on: 1990-12-04
  • Original language: English
  • Number of items: 1
  • Dimensions: .74" h x 8.05" w x 9.96" l,
  • Binding: Paperback
  • 216 pages

About the Author
Dore Ashton is Professor of Art History, The Cooper Union, and author of many books, including Fragonard in the Universe of Painting, About Rothko, A Fable of Modern Art, A Joseph Cornell Album, The New York School: A Cultural Reckoning.

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4 of 4 people found the following review helpful.
A Critical Study of Philip Guston, by Dore Ashton
By bruccio
Ashton is the sole biographer authorized by the artist -- and he was well aware of her analysis of his life and work. In fact, Guston gave full approval to the first edition entitled, YES, BUT...
This original title indicates Guston's own diffident attitude toward modernity and modernism. In the 1960's and 70's he broke faith with the New York School when he quit making the lyrical abstractions for which he earned early fame. In this insightful book, Ashton sets forth the complex web of friendship, education, and aspiration that motivated this immensely gifted and troubled artist.
Full of incident and careful analysis, Dore Ashton's definitive biography of Philip Guston should more than satisfy the inquirer's appetite for a glimpse into the heart and mind of one of the 20thC.'s leading American artists.

0 of 1 people found the following review helpful.
Guston Book
By John S.
Enjoyable book in generally good condition excepting a musty odor. I would recommend book to fans of the artist and this period of Art.

12 of 22 people found the following review helpful.
The book doesn't explain Guston's change in art styles.
By kadish@home.com
The Mystery of Philip Guston
Dore Ashton wrote this book in 1974 while Guston was still alive and apparently he reviewed it and it had his authorization. I am the brother of Reuben Kadish, who met Phillip Goldstein in 1930 in Los Angeles and with whom he collaborated on at least three murals ending in 1936. In 1936 Goldstein became Guston.
During 1996, the City of Hope, a cancer research center in Duarte, California, rediscovered a mural made by Kadish and Goldstein in 1935 and 1936. They found that it was in good condition, having been in a protected area for the past 60 years. They got a Donar, Ernest Lieblich, and with the cooperation of the Getty Museum had the mural cleaned and restored. Bob Reid, of the City of Hope, found the Kadish family two weeks before its rededication on June 11, 1998. Since Goldstein went on to fame and fortune as Phil Guston, Reuben, in his lifetime, gained little recognition as an artist. I decided to research their collaboration and to establish the relationship in their work.
Being two and half years younger than Reuben, I met most of Reuben's friends of that period including Goldstein. Ashton's book is the first I read about Guston. She starts from his birth and goes on to review his life from an artistic viewpoint. Goldstein and Kadish painted in a classical Thomas Hart Benton Italian style. When Guston started to work by himself after 1936, his work became more stylized, and in 1950 his style changed and he became a leader in the abstract expressionist school. About 1966 he abruptly changed his style into a cartoon type of painting that he did to the end of his life in 1980.
In his earliest paintings he had Klu Klux Klan figures as part of his theme. In the last ten years of his life the Klu Klux Klan figures reappeared and other images of a forehead and eyes showing over a wall became a dominant theme in addition. These sudden shifts in style confounded the critics. Ashton tries to explain those changes by quoting from different people to clarify Guston's reasons. She does not succeed.
Goldstein was the youngest of his families many children. The family was not a religious one. There is nothing to indicate how much contact or knowledge Goldstein had with Jewish religious life. Nowhere in the book does Ashton say that he is Jewish or that his name was Goldstein. As I remember it, he did not come from a political family. I do not know if he had any knowledge or spoke Yiddish. He is the only one in the family to become an artist. Goldstein was a dandy, being an esthete in everything he did, food, clothes and in his art.
Reuben came from a political family, his father was a socialist in Russia, and was active and sympathetic to the communist led organizations after he came to the United States. There is a strong artistic streak in the family. My father's brother was a killed painting craftsman and was an actor and director on the Yiddish stage. At one moment, I and my two brothers each had a child being trained to be art historians, in separate Universities in Flagstaff, San Francisco and Connecticut without knowing or having any connection with each other.
Nowhere in her book does she explain this change or even make the point that it happened. The result is a portrayal of Guston who constantly searched to find himself, with no explanation of the cause. Guston's sensitivity allowed him to create great art although his changes were totally unexplained. It is apparent to me that the contradictions of his life created the artist that he was.

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Selasa, 23 Juni 2015

> Ebook Free Stravinsky and the Russian Traditions: A Biography of the Works through Mavra, Two-volume set, by Richard Taruskin

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Stravinsky and the Russian Traditions: A Biography of the Works through Mavra, Two-volume set, by Richard Taruskin

This book undoes 50 years of mythmaking about Stravinsky's life in music.

During his spectacular career, Igor Stravinsky underplayed his Russian past in favor of a European cosmopolitanism. Richard Taruskin has refused to take the composer at his word. In this long-awaited study, he defines Stravinsky's relationship to the musical and artistic traditions of his native land and gives us a dramatically new picture of one of the major figures in the history of music.

Taruskin draws directly on newly accessible archives and on a wealth of Russian documents. In Volume One, he sets the historical scene: the St. Petersburg musical press, the arts journals, and the writings of anthropologists, folklorists, philosophers, and poets. Volume Two addresses the masterpieces of Stravinsky's early maturity—Petrushka, The Rite of Spring, and Les Noces. Taruskin investigates the composer's collaborations with Diaghilev to illuminate the relationship between folklore and modernity. He elucidates the Silver Age ideal of "neonationalism"—the professional appropriation of motifs and style characteristics from folk art—and how Stravinsky realized this ideal in his music.

Taruskin demonstrates how Stravinsky achieved his modernist technique by combining what was most characteristically Russian in his musical training with stylistic elements abstracted from Russian folklore. The stylistic synthesis thus achieved formed Stravinsky as a composer for life, whatever the aesthetic allegiances he later professed.

Written with Taruskin's characteristic mixture of in-depth research and stylistic verve, this book will be mandatory reading for all those seriously interested in the life and work of Stravinsky.

  • Sales Rank: #2060090 in Books
  • Published on: 1996-07-15
  • Original language: English
  • Number of items: 2
  • Dimensions: 10.00" h x 6.50" w x 7.00" l, 4.14 pounds
  • Binding: Hardcover
  • 1800 pages

Amazon.com Review
We are used to thinking of Stravinsky in terms of avant-garde Paris in the 1920s, the epitome of modernism. These two hefty volumes of unassailable scholarship and fascinating detail correct this blinkered vision, which to some extent is a product of Stravinsky's own self-marketing. Richard Taruskin demonstrates Stravinsky's place in the specific cultural traditions of his homeland, pulling together with impressive intellectual breadth the influences of Russian music, art, literature, folklore, religious liturgy, and more. He illustrates the composer's legacy from Rimsky-Korsakov, Glazunov, Scriabin, and Tchaikovsky in the pre-Diaghilev period, and dazzles with his analysis of folk influence in "Petrushka" and on through the famously innovative, yet rooted "The Rite of Spring." Further volumes will be eagerly awaited by all lovers of Stravinsky's music.

From Library Journal
Over the past 20 years, Taruskin (Musorgsky, LJ 1/93) has written some of the most provocative and revelatory articles on the music of Stravinsky, particularly from the early "Russian" period. It will come as a great joy, then, to scholars and amateurs alike to delve into this monumental work that, in two volumes, skillfully takes the reader into a fascinating world of Russian anthropology, folklore, and philosophy in search of the roots of Stravinsky's early styles. Drawing on his voluminous knowledge of Russian lore and on archival research materials only recently made available to Western scholars, Taruskin repeatedly and convincingly makes compelling connections between the culture?in the fullest sense?and the music. Volume 1 begins with an overview of Russian civilization at the time of the composer's birth and ends with a groundbreaking analysis of the Rite of Spring. In Volume 2, Taruskin approaches selected later works, including some in the so-called "neo-classical" period, with equal acumen and insight. For scholars who root their analyses in "context," this is a most heartening validation. Essential for all major music collections.?Larry Lipkis, Moravian Coll., Bethlehem, Pa.
Copyright 1995 Reed Business Information, Inc.

From The New Yorker
"A monumental two-volume study."

Most helpful customer reviews

11 of 14 people found the following review helpful.
debunking the myth
By slightlykooky
Taruskin's 2 volume set into Stravinsky's "Russian" period is still the MOST comprehensive investigation for those wanting a more discernible picture of the gestation of works from that period, including the Firebird, Petrushka, the Rite and Les Noces. For example Taruskin compares wedding laments used by Russian brides with those found in the opening of Les Noces. This link becomes significant when one is trying to resolve how much Stravinsky knew about his Russian heritage during the composition of these works. In his conversation books with Robert Craft, several inconsistencies emerge as to the influence of Russian music on Stravinsky's own music. For an interesting read, check out Taruskin's article, "Stravinsky and the traditions: Why the memory hole?" in Opus Magazine 1987. Getting back to the books, of particular significance is a "thematic" catalog of folk materials in which Taruskin attempts to reconstruct the origins of Stravinsky's Russian masterpieces.
I did not give the book 5 stars because I reserve that for the rarest of rarities which are reserved for books/movies/cds which provoke thought in the most unexpected of ways and are unlike anything else like the movie "Being John Malkovich". Another insightful and recent book on early Stravinsky (purely biographical) is Stephen Walsh's "Stravinsky : A Creative Spring : Russia and France, 1882-1934".

12 of 13 people found the following review helpful.
Essential reading
By Bernard Hughes
This is an extraordinary book which will re-define Stravinsky scholarship. It is by far the best book published on Stravinsky, with perhaps one exception (The Apollonian Clockwork by Andriessen and Schoenberger). Taruskin's scholarship is of the highest quality, his knowledge of Russian music awe-inspiring, and the revelations he uncovers simply by being a Russian-speaker investigating the sources first-hand make this book a watershed in the way we think about Stravinsky. This book only takes the story to 1923 - I can only hope Mr Taruskin is working on the next volume as I write.

8 of 13 people found the following review helpful.
On shaky ground
By MG
"The Rite of Spring" is a work of a Russian composer on a Russian sujet. But that a serious musicologist tries to tell me that, due to a few vague allusions to traditional folk tunes, it is a pure product of the Russian musical tradition. Please!

No doubt, it is work of genius, a great dark musical vision, but, conceding that in its spirit it is a "authentic" Russian composition, in its composing strategies it owes Debussy and Ravel much more than any Russian composer.

Frankly, I don't understand why Taruskin tries so hard to hide this vital influence on Stravinsky in this book. Though Stravinsky emancipated from these influences in later years, the impact on his early ballet music was tremendous. And Stravinsky was the last one to deny it.

Surely it is worth to discuss the influences in detail, since there are a lot of interferences. Debussy and Ravel themselves were strongly influenced by Russian composers like Mussorgsky and Borodin.

But to blind this part out of the composer biography is just not possible if you want to give a comprehensive picture. The plenty musical examples that Taruskin offers documenting the sources of Stravinsky's compositions are too selective in this respect. It might though be admitted that the impressionistic influences are harder to describe since they refer less to thematic references but much more to matters of technique. There would have been a great opportunity in these extensive volumes to look at all this in detail. Instead of this Taruskin simplifies things or makes awkward derivations. The bitonal Petrouschka chord-combination c major/f-sharp major for example happens to be already accidentally in Wagners "Siegfried" and happens even literally in the cadenza-like part of Ravel's "Jeux d'eau" where Stravinky most likely took his inspiration from. It's just strange and exerted to derive it from Rimsky's system of "octatonic" chord-combinations. Apropos "octatonic", even to claim this system, that Rimsky theoretically fixated for his teaching, as a Russian specific is strange enough, since it is well known that those harmonic influences came to Russian music through Berlioz, Liszt and especially Wagner.

Despite this serious objections, Taruskin deserves a lot of praise for his great research. I never read such a brilliant report about the history of Russian music between Glinka and Stravinsky and the circle around Diaghilev with all its paradoxes.

An enormously interesting book despite the fact that its main thesis, i.e. that Stravinsky is rooted mainly in the Russian tradition, stays on very shaky ground.

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Senin, 22 Juni 2015

^^ Ebook Free City for Sale: The Transformation of San Francisco, Revised and Updated Edition, by Chester Hartman

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City for Sale: The Transformation of San Francisco, Revised and Updated Edition, by Chester Hartman

San Francisco is perhaps the most exhilarating of all American cities--its beauty, cultural and political avant-gardism, and history are legendary, while its idiosyncrasies make front-page news. In this revised edition of his highly regarded study of San Francisco's economic and political development since the mid-1950s, Chester Hartman gives a detailed account of how the city has been transformed by the expansion--outward and upward--of its downtown. His story is fueled by a wide range of players and an astonishing array of events, from police storming the International Hotel to citizens forcing the midair termination of a freeway. Throughout, Hartman raises a troubling question: can San Francisco's unique qualities survive the changes that have altered the city's skyline, neighborhoods, and economy?

Hartman was directly involved in many of the events he chronicles and thus had access to sources that might otherwise have been unavailable. A former activist with the National Housing Law Project, San Franciscans for Affordable Housing, and other neighborhood organizations, he explains how corporate San Francisco obtained the necessary cooperation of city and federal governments in undertaking massive redevelopment. He illustrates the rationale that produced BART, a subway system that serves upper-income suburbs but few of the city's poor neighborhoods, and cites the environmental effects of unrestrained highrise development, such as powerful wind tunnels and lack of sunshine. In describing the struggle to keep housing affordable in San Francisco and the seemingly intractable problem of homelessness, Hartman reveals the human face of the city's economic transformation.

  • Sales Rank: #634503 in Books
  • Published on: 2002-06-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.25" w x 6.00" l, 1.85 pounds
  • Binding: Paperback
  • 432 pages

Review
"The importance of Chester Hartman's book reaches far beyond the case of San Francisco. It is a major work on the politics and urban development, a work that uniquely foresees alternative ways to improve our cities. It will become a landmark of urban research." - Manuel Castells, University of California "The further one reads into Chester Hartman's story of San Francisco redevelopment, the more bizarre and engrossing the story becomes. Centering his account on the downtown Yerba Buena Center project, Hartman wonderfully illuminates the conflicts of interest, ambitions, misrepresentations, extravagant promises, brutality, waste, incompetence, and sheer silliness that characterized the ill-fated American experiment called Urban Renewal andputs it into a social and economic context." - Jane Jacobs, author of The Death and Life of Great American Cities

From the Inside Flap
"The importance of Chester Hartman's book reaches far beyond the case of San Francisco. It is a major work on the politics and economics of urban development, a work that uniquely foresees alternative ways to improve our cities. It will become a landmark of urban research."—Manuel Castells, University of California

"The further one reads into Chester Hartman's story of San Francisco redevelopment, the more bizarre and engrossing the story becomes. Centering his account on the downtown Yerba Buena Center project, Hartman wonderfully illuminates the conflicts of interest, ambitions, misrepresentations, extravagant promises, brutality, waste, incompetence, and sheer silliness that characterized the ill-fated American experiment called Urban Renewal and puts it into a social and economic context."—Jane Jacobs, author of The Death and Life of Great American Cities

From the Back Cover
"The importance of Chester Hartman's book reaches far beyond the case of San Francisco. It is a major work on the politics and economics of urban development, a work that uniquely foresees alternative ways to improve our cities. It will become a landmark of urban research."--Manuel Castells, University of California

"The further one reads into Chester Hartman's story of San Francisco redevelopment, the more bizarre and engrossing the story becomes. Centering his account on the downtown Yerba Buena Center project, Hartman wonderfully illuminates the conflicts of interest, ambitions, misrepresentations, extravagant promises, brutality, waste, incompetence, and sheer silliness that characterized the ill-fated American experiment called Urban Renewal and puts it into a social and economic context."--Jane Jacobs, author of "The Death and Life of Great American Cities"

Most helpful customer reviews

7 of 8 people found the following review helpful.
Interesting Background on an Interesting City
By Gregor Hohpe
SF is my adopted hometown and I love walking around the city, noticing little odds and ends. How come the prime real estate on top of Moscone Center is occupied by a Merry-go-Around and a (mostly deserted) playground? How come BART does not stop anywhere people in SF actually live (except for a lucky few in the Mission). What did SoMa look like 30 years ago?

Hartman covers San Francisco's urban development history from the relocation of the produce market (to make room for Golden Gateway apartments), the development of South-of-Market (and the resistance), Harvey Milk's and George Moscone's assasination, up to the (now completed) redevelopment of the Presidio's Letterman complex into ILM studios.

Reading this book gave me a new perspective on SF. It's possible that the book is not thorough enough for someone who studied urban planning or architecture, but for an interested local resident like me it provided a plenty of detail and insight.

14 of 23 people found the following review helpful.
not very interesting
By A Customer
After reading _The Power Broker_, I was expecting a similar expose of the power politics that went in to San Francisco's redevelopment. _City for Sale_ did not live up to my expectations. Hartman's style is very dry and he gives us very little insight into the people who were involved in the battles that shaped modern San Francisco. He relies almost exclusively on secondary or tertiary sources and presents too much information without distilling and analyzing it.
Hartman spends little more than a page on San Francisco's public transit woes. He ignores the development of BART - which operates almost exclusively as a conduit for suburban workers to go to and from the financial district and serves virtually none of San Francisco's neighborhoods. He also offers little insight into the city's homeless problem - people are drawn to San Francisco because it is the only city in the area that pash cash to homeless people.
I was most disappointed that after Hartman spent 385 pages outlining how the city's business establishment had virtually controlled urban redevelopment for the last 30 years - he spends the last 15 pages trying to blame San Francisco's gentrification problems on computer programmers in their mid-20s. This book was written so recently and yet Hartman's analysis is already incorrect - silicon valley people in their mid-20s are no longer a threat to San Francisco - but the business interests downtown and in Pacific Heights who obviously created the mess still have the same control over the city's affairs.

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Jumat, 19 Juni 2015

~~ PDF Download Railroad Crossing: Californians and the Railroad, 1850-1910, by William Deverell

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Railroad Crossing: Californians and the Railroad, 1850-1910, by William Deverell

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Railroad Crossing: Californians and the Railroad, 1850-1910, by William Deverell

Nothing so changed nineteenth-century America as did the railroad. Growing up together, the iron horse and the young nation developed a fast friendship. Railroad Crossing is the story of what happened to that friendship, particularly in California, and it illuminates the chaos that was industrial America from the middle of the nineteenth century through the first decade of the twentieth.

Americans clamored for the progress and prosperity that railroads would surely bring, and no railroad was more crucial for California than the transcontinental line linking East to West. With Gold Rush prosperity fading, Californians looked to the railroad as the state's new savior. But social upheaval and economic disruption came down the tracks along with growth and opportunity.

Analyzing the changes wrought by the railroad, William Deverell reveals the contradictory roles that technology and industrial capitalism played in the lives of Americans. That contrast was especially apparent in California, where the gigantic corporate "Octopus"—the Southern Pacific Railroad—held near-monopoly status. The state's largest employer and biggest corporation, the S.P. was a key provider of jobs and transportation—and wielder of tremendous political and financial clout.

Deverell's lively study is peopled by a rich and disparate cast: railroad barons, newspaper editors, novelists, union activists, feminists, farmers, and the railroad workers themselves. Together, their lives reflect the many tensions—political, social, and economic—that accompanied the industrial transition of turn-of-the-century America.

  • Sales Rank: #1909947 in Books
  • Published on: 1996-03-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .69" w x 5.98" l, .94 pounds
  • Binding: Paperback
  • 278 pages

From the Inside Flap
"Deverell's book will immediately become the one to reckon with in the future historiography of the railroad in California."—R. Hal Williams, Southern Methodist University

From the Back Cover
Nothing so changed nineteenth-century America as the railroad. And no railroad was more crucial than the transcontinental line, that miraculously thin band of iron ribbon tying East to West. Railroad Crossing explores the public's response to the railroad, particularly in California.

About the Author
William Deverell is Professor of History at the University of Southern California and Director of the Huntington-USC Institute on California and the West. He is the coeditor of California Progressivism Revisited (California, 1994) and coeditor of Metropolis in the Making: Los Angeles in the 1920s (California, 2001).

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5 of 5 people found the following review helpful.
first-rate
By Douglas Sackman
In looking at the Southern Pacific railroad from the perspective of the various people who resisted or opposed it, Deverell tells an intriguing story. Rather than the triumphalist approach of so much railroad history (along with their mixture of both admiring and condemming the "robber barons"), Deverell lets us see and evaluate the changes the railroad brought to California-both physically and mentally. Along the way, he takes a fresh look at the Progressives' anti-railroad politics, and the confrontation at Mussel Slough-the violent incident around with Frank Norris wrote his masterful, sweeping "Novel of California," The Octopus. This is first-rate California history.

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Kamis, 18 Juni 2015

~ Download The Weimar Republic Sourcebook, by Anton Kæs, Martin Jay, Edward Dimendberg

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The Weimar Republic Sourcebook, by Anton Kæs, Martin Jay, Edward Dimendberg



The Weimar Republic Sourcebook, by Anton Kæs, Martin Jay, Edward Dimendberg

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The Weimar Republic Sourcebook, by Anton Kæs, Martin Jay, Edward Dimendberg

A laboratory for competing visions of modernity, the Weimar Republic (1918-1933) continues to haunt the imagination of the twentieth century. Its political and cultural lessons retain uncanny relevance for all who seek to understand the tensions and possibilities of our age. The Weimar Republic Sourcebook represents the most comprehensive documentation of Weimar culture, history, and politics assembled in any language. It invites a wide community of readers to discover the richness and complexity of the turbulent years in Germany before Hitler's rise to power.

Drawing from such primary sources as magazines, newspapers, manifestoes, and official documents (many unknown even to specialists and most never before available in English), this book challenges the traditional boundaries between politics, culture, and social life. Its thirty chapters explore Germany's complex relationship to democracy, ideologies of "reactionary modernism," the rise of the "New Woman," Bauhaus architecture, the impact of mass media, the literary life, the tradition of cabaret and urban entertainment, and the situation of Jews, intellectuals, and workers before and during the emergence of fascism.

While devoting much attention to the Republic's varied artistic and intellectual achievements (the Frankfurt School, political theater, twelve-tone music, cultural criticism, photomontage, and urban planning), the book is unique for its inclusion of many lesser-known materials on popular culture, consumerism, body culture, drugs, criminality, and sexuality; it also contains a timetable of major political events, an extensive bibliography, and capsule biographies. This will be a major resource and reference work for students and scholars in history; art; architecture; literature; social and political thought; and cultural, film, German, and women's studies.

  • Sales Rank: #258733 in Books
  • Published on: 1995-11-14
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.75" h x 1.75" w x 6.63" l, 3.42 pounds
  • Binding: Paperback
  • 806 pages

From Publishers Weekly
In 806 pages, the editors have pulled together original writings recording the aftereffects in Germany of WWI; the economic, social and cultural climate of Weimar; and the rise of Nazism.
Copyright 1995 Reed Business Information, Inc.

From Library Journal
From the end of World War I to the rise of Adolf Hitler, the Weimar Republic remains one of the pivotal social experiments in 20th-century history, embracing all aspects of German cultural, political, and social life. The editors of this volume, who are academics and scholars of European history and culture, have compiled a richly diverse collection of writings from prominent social critics, intellectuals, and writers of the period, from Hannah Arendt to Hilter and Kurt Weill. Revolutions in music, art, architecture, etc., are documented from magazines, newspapers, and recently discovered documents in 30 chapters of readable yet intensive material. The selections are geared heavily toward cultural developments rather than politics and leadership; as a result, the volume does not give a sense of why the extraordinary experiment of Weimar failed and how it could have led to its extreme antithesis in Nazism. This volume will appeal to scholars of the period, as well as to those interested in cultural and intellectual history. It should be read in conjunction with Peter Gay's Weimar Culture (1968), an excellent reference guide. Well recommended for public and academic libraries.
Thomas G. Anton, Field Museum, Chicago
Copyright 1994 Reed Business Information, Inc.

Review
"A mosaic panorama. . . . Interweaving classic texts with a wealth of excavated matter, [the editors] have done a great service to anyone interested in what modernism was and, through reinterpretation, may yet become."--Kenneth Baker, "San Francisco Chronicle Review

Most helpful customer reviews

3 of 3 people found the following review helpful.
This book consists of snippets from hundreds of articles during ...
By Ted
This book consists of snippets from hundreds of articles during the interwar years. What makes the book so compelling is that the articles foretell the Nazi horror and, reflect the inch-by-inch, day-by-day grab for power by the right wing. Many of these warnings were either dismissed ("it can't happen here") or those who would have resisted no longer could. The book freezes in time the events of this period - for which one longs in retrospect.

4 of 5 people found the following review helpful.
Great Primary Source for Historians
By Gretchen Stringer-Robinson
This is a collection of essays and other works written during the interwar years in Germany, translated from German to English. It is a great tool for undergraduate and graduate students who don't read or speak German. It does reflect, for the most part, the more open-minded writers of the time, but does also include a few essays by writers who will become Hitler's followers. It is well organized and easy to use for research for papers. It is also quite interesting.

3 of 4 people found the following review helpful.
Tons of Primary Sources!
By Shopgirl353
I rented this book for my college thesis in Weimar Germany this spring. It was in great shape and shipped fast. It has a vast array of documents. I would recommend this to anyone studying Weimar Germany. Amazon also pays for the return shipping which is fantastic! I love Amazon Rentals!

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Selasa, 16 Juni 2015

>> Ebook Shadow of Paradise, by Vicente Aleixandre

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Shadow of Paradise, by Vicente Aleixandre

Begun in 1939, barely four months after the close of the Spanish Civil War, these poems by the Nobel Laureate poet Vicente Aleixandre were written during a period of hardship and despair. In spite of his surroundings Aleixandre created the splendor of the shadow of a lost paradise that consisted of memory, nostalgia, yearning and illusion. This is the first full English version. The original Spanish text is included.

  • Sales Rank: #2892819 in Books
  • Published on: 1993-03-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .54" w x 5.98" l, .73 pounds
  • Binding: Paperback
  • 232 pages

From Library Journal
Shadow of Paradise ( Sombra del Paraiso ) is the first complete bilingual edition of this volume of poems by Nobel Prize-winning Spaniard Aleixandre (1898-1984). First published in 1944, it is an intensely visionary collection in which Aleixandre journeys "toward a promised world half seen," charting the geography of a mystical Eden (based on the city of Malaga) perhaps not so beautifully realized since Coleridge's "Kubla Khan." These imagined Iberian scenes appear "transformed into light,/ transformed into flame that flashes in the air." Written at a time of both personal loss and historical tragedy, this volume effectively blends themes of innocence and sensuality with a longing for transcendence of pain. Frank Allen, Assoc. Dean, Continuing Education, Allentown Coll., Center Valley, Pa.
Copyright 1986 Reed Business Information, Inc.

Review
"Poems like 'The Poet' and 'Body and Soul' ring with a sad beauty that places Aleixandre alongside Antonio Machado and Federico Garcia Lorca as one of Spain's greatest poets."--"The Bloomsbury Review

Language Notes
Text: English, Spanish

Most helpful customer reviews

2 of 2 people found the following review helpful.
Things Unsaid
By John Michael Albert
While reading Stephen Kessler's bilingual translation of Cernuda's last two books, named after the last book, Desolation of the Chimera (1962), I discovered that Vincente Aleixandre was also a member of the Generation of '27 (along with Cernuda, Guillen and Garcia Lorca). As it happened, I had a bilingual copy of Aleixandre's Shadow of Paradise (1944), given to me by my friend, the translator Hugh Harter. The book has the excitement of a transitional, mannerist work--in many senses. Primarily, the author seemed to be moving from a vivid, youthful surrealism to something different, more plain spoken, but still ecstatically wrapped in the imagery of surrealism. There's also the issue of timing with three gay members of '27: Garcia Lorca was killed in the early days of the Civil War. Cernuda went into exile and spent the rest of his life in the US and Mexico. Aleixandre stayed in Spain. I imagine certain adjustments in style had to be made for a gay man to live in Franco's Spain and, to me, that becomes the ever-present thing unsaid in Aleixandre's Shadow of Paradise. My only quibble with my friend's translations is that they depend so heavily on Latin cognates. Spanish comes by its Latin vocabulary quite naturally; but a preponderance of Latin in English poetry is endemic to 19th century Romanticism, perhaps giving the wrong signal. Leaning more toward Anglo-Saxon vocabulary would restore the hard-edged freshness to this volatile and vital poetry.

1 of 1 people found the following review helpful.
Lovely poetry read
By Cassandra Langer
Love his voice and perceptions. Sometimes a little lush for some people but it suits me fine. If you need a respite from the garbage in the media try this book. The images will take you completely out of this world.

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