Xitabooks: Maret 2015

Selasa, 31 Maret 2015

? Free PDF Cool Conduct: The Culture of Distance in Weimar Germany (Weimar and Now: German Cultural Criticism), by Helmut Lethen

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Cool Conduct: The Culture of Distance in Weimar Germany (Weimar and Now: German Cultural Criticism), by Helmut Lethen

Free PDF Cool Conduct: The Culture of Distance in Weimar Germany (Weimar and Now: German Cultural Criticism), by Helmut Lethen

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Cool Conduct is an elegant interpretation of attitudes and mentalities that informed the Weimar Republic by a scholar well known for his profound knowledge of this period. Helmut Lethen writes of "cool conduct" as a cultivated antidote to the heated atmosphere of post-World War I Germany, as a way of burying shame and animosity that might otherwise make social contact impossible.

Sales Rank: #2620971 in Books
Published on: 2001-12-03
Original language: English
Number of items: 1
Dimensions: 9.34" h x .89" w x 6.38" l, 1.20 pounds
Binding: Hardcover
301 pages

Review
"Lethen brilliantly interprets New Objectivity as a tactical response to the need for a 'code of conduct' in an age of anxiety about values and normative judgments. Moving effortlessly between analysis of philosophical texts and literary works, he charts an increasingly popular field of cultural studies: how cultural discourses shape behavior.... One of the most original and daring contributions to Weimar scholarship and to the study of modernity in general in a decade." - Anton Kaes, University of California, Berkeley "Lethen is probably the most original and outstanding scholar writing in German today about Weimar literature and culture. He traces the figure of the 'cold persona' as part of a broader discourse of anthropological, ethical, and aesthetic dimensions.... The book is written in a personal voice, witty, lucid, and unpretentious." - Miriam Hansen, University of Chicago

From the Inside Flap
"Lethen brilliantly interprets New Objectivity as a tactical response to the need for a 'code of conduct' in an age of anxiety about values and normative judgments. Moving effortlessly between analysis of philosophical texts and literary works, he charts an increasingly popular field of cultural studies: how cultural discourses shape behavior. One of the most original and daring contributions to Weimar scholarship and to the study of modernity in general in a decade."—Anton Kaes, University of California, Berkeley

"Lethen is probably the most original and outstanding scholar writing in German today about Weimar literature and culture. He traces the figure of the 'cold persona' as part of a broader discourse of anthropological, ethical, and aesthetic dimensions. The book is written in a personal voice, witty, lucid, and unpretentious."—Miriam Hansen, University of Chicago

From the Back Cover
"Lethen brilliantly interprets New Objectivity as a tactical response to the need for a 'code of conduct' in an age of anxiety about values and normative judgments. Moving effortlessly between analysis of philosophical texts and literary works, he charts an increasingly popular field of cultural studies: how cultural discourses shape behavior. One of the most original and daring contributions to Weimar scholarship and to the study of modernity in general in a decade."--Anton Kaes, University of California, Berkeley

"Lethen is probably the most original and outstanding scholar writing in German today about Weimar literature and culture. He traces the figure of the 'cold persona' as part of a broader discourse of anthropological, ethical, and aesthetic dimensions. The book is written in a personal voice, witty, lucid, and unpretentious."--Miriam Hansen, University of Chicago

Most helpful customer reviews

0 of 0 people found the following review helpful.
Maybe I need to read the original German
By Denise
This book is difficult and dense. The information is interesting, and it could just be the translation is difficult. I'll have to try the original German to find out.

See all 1 customer reviews...

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Jumat, 27 Maret 2015

^ Download PDF Hollywood Goes to War: How Politics, Profits and Propaganda Shaped World War II Movies, by Clayton R. Koppes, Gregory D. Black

Download PDF Hollywood Goes to War: How Politics, Profits and Propaganda Shaped World War II Movies, by Clayton R. Koppes, Gregory D. Black

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Conflicting interests and conflicting attitudes toward the war characterized the uneasy relationship between Washington and Hollywood during World War II. There was deep disagreement within the film-making community as to the stance towards the war that should be taken by one of America's most lucrative industries. Hollywood Goes to War reveals the powerful role played by President Franklin D. Roosevelt's Office of War Information—staffed by some of America's most famous intellectuals including Elmer Davis, Robert Sherwood, and Archibald MacLeish—in shaping the films that were released during the war years. Ironically, it was the film industry's own self-censorship system, the Hays Office and the Production Code Administration, that paved the way for government censors to cut and shape movies to portray an idealized image of a harmonious American society united in the fight against a common enemy. Clayton R. Koppes and Gregory D. Black reconstruct the power struggles between the legendary producers, writers, directors, stars and politicians all seeking to project their own visions onto the silver screen and thus to affect public perceptions and opinion.

Sales Rank: #1005214 in Books
Brand: University of California Press
Published on: 1990-08-16
Original language: English
Number of items: 1
Dimensions: 9.00" h x 1.00" w x 6.00" l, 1.19 pounds
Binding: Paperback
384 pages

Review
"Beware of censors bearing high ideals. That's the message of "Hollywood Goes to War, a careful account of America's flirtation with cultural commissarship during World War II. . . . The descriptions of behind-the-scenes fiddling by bureaucrats (particularly with King Vidor's ambitious flop, 'An American Romance, ' which was 'transformed from a paean to rugged individualism into a celebration of management-labor cooperation') are instructive. They expose the political mentality of the time and the mentality of propagandists of all times."--Walter Goodman, "New York Times Book Review

About the Author
Clayton R. Koppes is Houck Professor of Humanities and Chairman of the History Department at Oberlin College. Gregory D. Black is Chairman of the Communications Department at the University of Missouri, Kansas City, and Director of the American Culture program there.

From The Washington Post
"Koppes and Black, professor of history and communications respectively, have no evident ideological axes to grind in this thorough . . . study. Their primary concern is to examine 'the enduring question of the appropriateness of governmental coercion and censorship of private media' as it was raised by the relationship between the movie industry and the U.S. government."

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23 of 23 people found the following review helpful.
Politics, Profits and Propaganda
By Steven Hellerstedt
`Hollywood Goes to War" is the biography of a federal government agency, the Office of War Information (1942-45.) The OWI - not to be confused with the OSS, OGR, OCD or any other agency in that alphabet-soup happy era - was a creation of the Roosevelt Administration whose purpose was to control the message contained in American movies during the duration. In other words, it was a propaganda agency which, as authors Koppes and Black explain in the preface, issued instruction manuals to the studios, sat in on story conferences, reviewed screenplays, pressured studios to change scripts and even scrap pictures, and sometimes even wrote dialogue for key speeches. Politicians, even in a democracy that prides itself on its tolerance of free speech, aren't above trying to spin a message now and then. Spinning is usually done as covertly as possible. World War II was seen as a `total' war, though, and controlling the content of Hollywood movies (employing , as they put it, a `strategy of truth') was seen as a necessity. One of the chapter titles phrase the problem succinctly enough; Will this movie help us win the war? OWI was created to arbitrate and answer that question.

Of course, the demands of propaganda are different than those of mass entertainment, and HGtW offers a few surprising battles. None more so, perhaps, than OWI's strong reaction against Preston Sturges' frothy screwball masterpiece, 1942's Palm Beach Story, a movie HGtW quotes an OWI reviewer characterizing as "a fine example of what should not be made in the way of escape pictures." Palm Beach Story's transgression seems to have been that it didn't take the war quite seriously enough. The idle rich spent money with frivolous abandon, distressed lovers ignored the war and its issues. It seems reasonable enough that OWI would squash movies verging too close to such socially realistic topics as gangsterism, draft dodging, labor unrest, racial conflict, and any number of other ills. It's the inoffensive domestic movies that OWI objected to that make HGtW so fascinating. Still, there was a war to be won and movies were a great medium for getting The Message out. That the heavy, heavy hand of a governmental agency might kill whatever value the messenger had seemed to have been ignored now and then. Another area of burning interest to OWI was the depiction of our allies. Not surprisingly OWI loved the movie `Mission to Moscow' ("...the most notorious example of propaganda in the guise of entertainment ever produced by Hollywood ") and Keys to the Kingdom, a movie which, as Koppes and Black put it, "reflected the Roosevelt administration's propaganda needs, which in turns were based on a blend of ignorance, apathy, and optimism about the real situation." The critics hated them, too. Besides movies about our allies, the home front and combat war movies, OWI worried over the depiction of the enemy. In this case the Germans and the Japanese. With an eye to the post-war world OWI preferred that the typical German was seen as a separate entity from the German ruling elite. The Japanese, the beast in the jungle, were more or less a lost cause. OWI loved Darryl Zanuck's ambitious and expensive `Wilson,' which presented a glowing and humanizing portrait of Woodrow Wilson, the martyr to the dream of the League of Nations. The message in this case was the need for a league of nations in the post-war world. The result was an expensively mounted yawn fest that is practically unwatchable.

As someone who watches a lot of old movies, I enjoyed Hollywood Goes to War quite a bit. Any book about managed information in the form of government propaganda is bound to raise disturbing issues, and to their credit Koppes and Black present their story clearly without undue editorializing. Anyone who's a fan of American movies made during World War II will find this book educational and entertaining.

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Kamis, 26 Maret 2015

# Free Ebook A Natural History of California (California Natural History Guides), by Allan A. Schoenherr

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In this comprehensive and abundantly illustrated book, Allan Schoenherr describes a state with a greater range of landforms, a greater variety of habitats, and more kinds of plants and animals than any area of equivalent size in all of North America. A Natural History of California will familiarize the reader with the climate, rocks, soil, plants and animals in each distinctive region of the state.

Sales Rank: #275445 in Books
Published on: 1995-02-03
Original language: English
Number of items: 1
Dimensions: 9.00" h x 1.90" w x 6.00" l, 2.85 pounds
Binding: Paperback
772 pages

Review
"My favorite field guides are actually works of natural history, published by the University of California Press. As if to compensate for their bulk and weight, the titles in the California Natural History Guides offer an abundance of illuminating information about what can be glimpsed from the paths and trails of our state parks. [Natural History of the Islands of California] is a kind of homage to its original authors-and, thanks to its sweep and grandeur, its detail and practicality, a magnificent one."--"Los Angeles Times

From the Inside Flap
"You want to own this book. Perhaps the most impressive thing about this book is the number of illustrations, most of them photographs taken by the author. This guy knows of what he speaks!"—George M. Clark, California Wilderness Coalition

From the Back Cover
This book includes a description of organisms, rocks, and the environment and an attempt to explain what factors through time created what we see today. The facts behind the concepts that are stressed in this book have been drawn from ecology, zoology, botany, biogeography, climatology, paleontology, and geology.

Most helpful customer reviews

35 of 35 people found the following review helpful.
Comprehensive and fascinating
By Robert
If you have an interest in natural history, especially of California's natural history, this is an excellent book. The reader learns all sorts of fascinating things, practically from page one. It is very comprehensive in its breadth while not requiring high-level courses in geology, zoology, botany, etc. to understand it. The writer does buy into a couple of ideas that I think are influenced more by eco-religion than ecological science, but he attempts to maintain scientific discipline and does not harangue the reader with political axe-grinding. He writes in a readable, objective, tone that doesn't get in the way of the interesting "hard" facts conveyed in a clear, interesting style.
The book is an excellent survey text of natural history, California's in particular. I'm an immigrant to California from the Midwest, and did not have the advantage of learning about my adopted state during my school years. I have been looking for a good comprehensive book explaining the formation of the geography and an explanation of the operation of nature here in this state. This is the best book I have found on this subject since I moved here five years ago.
If you are an amateur naturalist, like myself, even just to the extent of having a fondness for programs like Discovery Channel, Mutual of Omaha's Wild Kingdom, and the National Geographic Specials, you'll like this book. If you're a California parent, the book is really useful for answering the questions kids ask about the world around them.

18 of 18 people found the following review helpful.
A must for outdoor enthusiasts
By Amazon Customer
This well thought out introduction to the natural setting of California is a must for anyone that either lives in the state or is planning a visit. I used this book as a reference in a report I wrote on California's environment. The all emcompassing narratives about flora, fauna, geology, geography and the wonder of California, makes this book priceless! This is by far the most thorough book on California's native environment that I have seen. Augment this book with, Audobon's Guide to California, and you have a history, guide and interesting information about California to make any vacation or field trip into a journey of unfathomable wonder of California and the natural environment that most of us fail to take advantage of and appreciate. This book really is a must have for anyone who considers themselves a Californian.

13 of 13 people found the following review helpful.
An excellent comprehensive guide to california bioregions.
By A Customer
I have found this book very useful in my trips around California visiting various regions. It is a large book and written in a bit of a ponderous tone - not exactly light reading. But after a day of hiking, my friends and I usually have several questions about the natural areas that we have encountered, such as "Why are there less trees in this part of the Sierra?" Or "What's the deal with all of these creosote bushes?" This book is a great book for evening reading to answer questions like this. It is organized by california bioregion = california geography, so it is very easy to quickly find the relevant sections of the book. It is a non-technical book, so there is no need for any training in biology. I would recommend this book (and I have) to any nature-lover/amateur naturalist who is visiting California or parts of California. It has enhanced my trips and my understanding of nature enormously. The reason that I give it four stars instead of five is simply due to the writing, which is a bit dull, and occasional small lapses in choice of content.

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Rabu, 25 Maret 2015

^ Fee Download The Oligocene Haynes Creek Flora of Eastern Idaho (UC Publications in Geological Sciences), by Daniel I. Axelrod

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This flora of 70 species is dominated by deciduous trees, many with descendants in China. Precipitation was 890 mm, mean annual temperature 12.5°C, the annual range 10°C, and freezing rare. Elevation was about 1000 meters. Comparison with the Horse Prairie flora, 30 miles east and across the present continental divide, indicates that the divide was then low and discontinuous, with warmer climate to the east.

Sales Rank: #5645601 in Books
Published on: 1998-07-31
Original language: English
Number of items: 1
Dimensions: 9.99" h x .43" w x 7.05" l, .70 pounds
Binding: Paperback
160 pages

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Senin, 23 Maret 2015

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Conceiving of urban design in terms of architectural actions and reactions, Attoe and Logan propose a theory of "catalytic architecture" better suited to specifically American circumstances than the largely European models developed in the last thirty years for the remaking of cities.

After exploring instances of failed attempts to impose European visions on American cities, the authors examine urban design successes that illustrate the principles and goals of catalytic architecture. With a series of case studies they characterize urban design as a controlled evolution, one that must also be strategic, responding to existing elements and guiding those that follow. The authors argue that the failure of American cities to control and guide the energies released in urban development can be prevented by "design guidance". From their own combined experience as urban architects and scholars, they provide a taxonomy of methods to guide urban design toward higher standards and better results.

Sales Rank: #3335361 in Books
Published on: 1992-11-24
Original language: English
Number of items: 1
Dimensions: .50" h x 7.03" w x 9.97" l,
Binding: Paperback
208 pages

From the Inside Flap
"Any study which provides a better understanding of the peculiar characteristics of American urbanism, particularly with respect to its real differences from traditional European models, is extremely useful. I found American Urban Architecture thoughtful and provocative and strongly recommend it to all who are involved with the search for better urban design strategies for the American city. Attoe and Logan deserve our attention and respect."—Jacquelin T. Robertson, Cooper Robertson + Partners, New York; former Dean, University of Virginia School of Architecture

From the Back Cover
"Any study which provides a better understanding of the peculiar characteristics of American urbanism, particularly with respect to its real differences from traditional European models, is extremely useful. I found American Urban Architecture thoughtful and provocative and strongly recommend it to all who are involved with the search for better urban design strategies for the American city. Attoe and Logan deserve our attention and respect." (Jacquelin T. Robertson, Cooper Robertson + Partners, New York; former Dean, University of Virginia School of Architecture)

About the Author
Wayne Attoe is Professor of Architecture at Louisiana State University, a practicing architect, and the author of Skylines: Understanding and Molding Urban Silhouettes and Architecture and the Critical Imagination. Donn Logan is a founding partner of ELS/Elbasani & Logan Architects and has completed many downtown plans and major architectural projects around the nation and abroad. From 1966 to 1986 he was a professor of architecture at the University of California at Berkeley.

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* Ebook Download Memories of Chicano History: The Life and Narrative of Bert Corona (Latinos in American Society and Culture), by Mario T. García

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Who is Bert Corona? Though not readily identified by most Americans, nor indeed by many Mexican Americans, Corona is a man of enormous political commitment whose activism has spanned much of this century. Now his voice can be heard by the wide audience it deserves. In this landmark publication—the first autobiography by a major figure in Chicano history—Bert Corona relates his life story.

Corona was born in El Paso in 1918. Inspired by his parents' participation in the Mexican Revolution, he dedicated his life to fighting economic and social injustice. An early labor organizer among ethnic communities in southern California, Corona has agitated for labor and civil rights since the 1940s. His efforts continue today in campaigns to organize undocumented immigrants.

This book evolved from a three-year oral history project between Bert Corona and historian Mario T. García. The result is a testimonio, a collaborative autobiography in which historical memories are preserved more through oral traditions than through written documents. Corona's story represents a collective memory of the Mexican-American community's struggle against discrimination and racism. His narration and García's analysis together provide a journey into the Mexican-American world.

Bert Corona's reflections offer us an invaluable glimpse at the lifework of a major grass-roots American leader. His story is further enriched by biographical sketches of others whose names have been little recorded during six decades of American labor history.

Sales Rank: #160249 in Books
Published on: 1995-02-01
Original language: English
Number of items: 1
Dimensions: 8.74" h x 1.08" w x 5.95" l, 1.49 pounds
Binding: Paperback
369 pages

From Library Journal
The narrative of Corona's work as a Mexican American labor organizer reflects some five decades of struggles, setbacks, and successes. Beginning with the union movement of the 1930s, Corona traces his experience in organizing workers and communities as they confronted large corporate interests backed by the government agenices that served them. The uphill battle to win economic and political recognition is recounted in a straightforward manner, free of rancor. Indeed, Corona's model for success is founded on cooperation, ethnic pride of accomplishment, and optimistic determination. As an oral history conducted by Garcia (the result is billed as a collaborative autobiography), the story conveys a sense of the "collective self"--a testimonial of one member of a community. Recommended for collections emphasizing labor history and Chicano studies.
- Charles E. Perry, East Central Univ., Ada, Okla.
Copyright 1994 Reed Business Information, Inc.

Review
"Conveys a sense of the 'collective self'--a testimonial of one member of a community. Recommended."--"Library Journal

About the Author
Mario T. García is Professor of History and Chicano Studies at the University of California, Santa Barbara. He is the author of Mexican Americans: Leadership, Ideology, and Identity, 1930-1960 (1989). David Montgomery is Professor of History at Yale University.

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2 of 2 people found the following review helpful.
Just OK
By William Olmstead
This book although based on the life of a great man reads like a textbook full of facts. For the student of Chicano studies, this is a perfect read. For the curious and lover of biographies, like me it's not. Never-the-less, I can't really criticize the work that went into this book. It is worth a purchase..

1 of 1 people found the following review helpful.
Entertaining in an educational and personal way! Touching!
By Justforfun
I wasn't thrilled when my Chicano History Class had this book as well as five others listed on the reading list. However this assignment was the BEST book out of all of them! It was heart felt and touching in its very personal and informal method of describing one of the most influential times in political and socioeconomic history of Hispanic people. I thoroughly enjoyed it! It even helped me to decide that I would major in History of the Americas in college with an emphasis in Chicano History and Spanish!

HIGHLY RECOMMENDED!

1 of 1 people found the following review helpful.
Great Book
By Jerry Apodaca
I knew Bert. The father of immigrant rights. A great leader in the early Chicano movement, who has not gotten the recognition he deserves.

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Minggu, 22 Maret 2015

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Protestants are making phenomenal gains in Latin America. This is the first general account of the evangelical challenge to Catholic predominance, with special attention to the collision with liberation theology in Central America. David Stoll reinterprets the "invasion of the sects" as an evangelical awakening, part of a wider religious reformation which could redefine the basis of Latin American politics.

Sales Rank: #606191 in Books
Published on: 1990-02-28
Original language: English
Number of items: 1
Dimensions: 9.25" h x 6.25" w x 1.25" l,
Binding: Hardcover
445 pages

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Selasa, 17 Maret 2015

> Free PDF The Myth of Continents: A Critique of Metageography, by Martin W. Lewis, Kären Wigen

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In this thoughtful and engaging critique, geographer Martin W. Lewis and historian Kären Wigen reexamine the basic geographical divisions we take for granted, and challenge the unconscious spatial frameworks that govern the way we perceive the world. Arguing that notions of East vs. West, First World vs. Third World, and even the sevenfold continental system are simplistic and misconceived, the authors trace the history of such misconceptions. Their up-to-the-minute study reflects both on the global scale and its relation to the specific continents of Europe, Asia, and Africa—actually part of one contiguous landmass.

The Myth of Continents sheds new light on how our metageographical assumptions grew out of cultural concepts: how the first continental divisions developed from classical times; how the Urals became the division between the so-called continents of Europe and Asia; how countries like Pakistan and Afghanistan recently shifted macroregions in the general consciousness.

This extremely readable and thought-provoking analysis also explores the ways that new economic regions, the end of the cold war, and the proliferation of communication technologies change our understanding of the world. It stimulates thinking about the role of large-scale spatial constructs as driving forces behind particular worldviews and encourages everyone to take a more thoughtful, geographically informed approach to the task of describing and interpreting the human diversity of the planet.

Sales Rank: #840280 in Books
Published on: 1997-08-11
Original language: English
Number of items: 1
Dimensions: 9.00" h x 1.00" w x 6.00" l, 1.20 pounds
Binding: Paperback
383 pages

Amazon.com Review
If you consider geography an objective science, think again. According to Martin W. Lewis and Karen E. Wigen, even the concept of continents is open to interpretation. Why, for example, do Europeans consider their little peninsula a whole continent while the vast territories of India and China are mere subcontinents? Contrast this worldview with that of the Indian mapmakers who depicted South Asia as the world's largest land mass and Europe as marginalized "hat-wearing islands." During the Cold War, the world was even further divided, this time into first, second, and third worlds. But how you classify the various regions of the world, Lewis and Wigen posit in The Myth of Continents, depends very much on where you happen to be standing at the time.

Having bravely exposed the ethnocentrism at the heart of geography, Lewis and Wigen then offer up their own division of the globe based on "world regions" rather than continents. Under such a scheme, Europe would become Western Eurasia, while the Western Hemisphere would become North America, Ibero-America, and African-America (divisions based on linguistic, cultural, and/or racial criteria). Whether or not you agree with the authors' division of the world, The Myth of Continents is a lively and thought-provoking exploration of a subject many of us take for granted. After reading this book, you'll never look at a map of the world in quite the same way.

Review
The very fact that their work stimulates such questions is a tribute to the authors. In The Myth of Continents, Lewis and Wigen have written an entertaining and informative account of the way our maps show us the world that we want to see. -- The New York Times Book Review, Michael Lind

From the Inside Flap
"Despite the recent surge of interest in geographical concepts and ideas, most social, cultural, and political studies are riddled with unexamined spatial assumptions. The Myth of Continents initiates a much-needed consideration of this state of affairs. Through a wide-ranging analysis of such metageographical constructs as East, West, Europe, and Asia, Lewis and Wigen provide provocative insights into the nature and significance of the ways we usually divide up the world. Moreover, they do so in an engaging and highly readable style. Readers of The Myth of Continents will never again see the world regions in quite the same way."—Alexander B. Murphy, author of The Regional Dynamics of Language Differentiation in Belgium

"An exciting, thoughtful, engaging, innovative book that demonstrates the need to reexamine commonly held assumptions about the world's division into continents, East/West, First/Second/Third World, etc. Readers will be drawn to its 'big-think' quality of shattering commonly held assumptions and to its up-to-the-minute contemporary feel."—Benjamin Orlove, coeditor of State, Capital, and Rural Society: Anthropological Perspectives on Political Economy in Mexico and the Andes

"An important and long overdue housecleaning of old geographical concepts, based upon an impressively wide reading of regional literatures."—Edmund Burke III, editor of Struggle and Survival in the Modern Middle East

Most helpful customer reviews

33 of 35 people found the following review helpful.
better than Edward Said or Samuel Huntington
By A Customer
I'm surprised to be the first to review this book. It was recommended to me a couple of years ago by a professor and I've only now gotten around to reading it: it's definitely one of the best books I've read recently.
As the title suggests, the book explores the myth of continents. The authors show the origin of the idea of the continent in ancient Greece and show its continued use throughout the centuries even as the addition of the Americas and Australia to the world map caused more and more incongruities with the original Greek and medieval world system.
The authors also look at the concepts of 'East' and 'West' and the similarly overused (but underdefined) 'Orient' and 'Occident', arguing against Edward Said for the continuation of a world divided into geographical regions, albeit ones that does not draw upon geographical determinism or cartographic ethnocentrism. Unlike Samuel Huntington they stress their world regions (i.e. African-America and Central Asia) as not always coherent territories with distinct borders. Agreeing with Herodotus and Toynbee about the need to examine the continental system, they thoroughly discuss the philosophical and political views of continents in recent centuries, looking at Rousseau, Herder, Hegel, Montesquieu, H.G. Wells, J. Burckhardt, Wallerstein and others.
This book is so good at deconstructing the built-up assumptions of the aforementioned terms that I hesistate to list any faults, although I should at least mention that I would have liked a few more maps and a separate section on how and why the authors chose each world region and its borders (i.e. why not a separate region for Madagascar).
In any case, this is a convincing and powerful book.

9 of 9 people found the following review helpful.
"East is East and West is West...
By Amazon Customer
...and never the twain shall meet." Kipling was wrong about that. This fascinating book shows how culture and world-view influenced not just Kipling and others of the past, but continues to do so with us today. Our maps, both mental and otherwise, are largely shaped by our own realities. Indeed the authors argue we are all unwitting believers in THE MYTH OF CONTINENTS. The metageography that this book critiques is defined as "the set of spatial structures through which people order their knowledge of the world." Such structures are arbitrary, but it's not just continents. It extends to world regions, culture areas, zones, and even civilizations. Also any depiction in atlases, on globes, in texts, and on political maps. It's all extremely subjective.
One of the strengths of this book is how it shows these artificial views emerging, changing, and adjusting to the dynamism and power of cultures. The concept of the continent of Europe is directly connected to the power of that region. Why else, the authors ask, should India be a sub-continent and China only a part of Asia? "In physical, cultural and historical diversity, China and India are comparable to the entire European landmass, not to a single European country."
The book traces the origins of the continental system from Herodotus through Ptolemy, the Romans, Medieval Europe to the Age of Discovery and beyond. The whole idea of what defined a continent (large landmass seperated by water) was always very fungible. The authors say that as late as 1599 "any reasonable large body of land or even island group might be deemed a continent". They give the example of a geographer referring to the West Indies as a "large and fruitful continent". The West Indies themselves are a perfect example of perception dictating form. We know that the "Indies" part came about because Columbus thought he had arrived in the East. The metageographies of West and East then are concepts that, like continents, are open to criticism. So too are the New and Old worlds, the First and Third Worlds (was there ever a Second World?) The same vagueness surrounds the North and the South, the Occident and Orient, Far East, Middle East, South Asia and the Pacific Rim.
In offering their own system for organizing human space the authors replace continents with "world regions". Arnold Toynbee and more recently Samuel Huntinton's system of using civilizations as the organizing principle gets a nod from the authors. In the classification they use, Europe is now "Western Eurasia", "African-America" includes not just the West Indies but the entire Caribbean and North-Eastern Brazil. North America remains and Ibero-America emerges.
Obviously geographers will thoroughly enjoy this book but it has a much broader appeal. Wherever we are in the world we use some of the terms above to describe our place. If nothing else this book will make us all a little more aware of how we define ourselves and others.

8 of 9 people found the following review helpful.
Continental divides
By John C. Landon
This stimulating challenge to conventional geography should be an essential ingredient to your next upgrade of your metageographical basics, world history as one for a change. The book is a nice debriefing of the several myths that distort that history. One of the main culprits is the East-West divide, whose illusory divide as to culture obsesses too many, butis one of the chief offenders, along with the notion of a 'western civilization' whose boundaries, content and latent ethnocentricism deserve a reminder that the East was always built into the West and vice versa. The Greek myth of Europa was always misleading, no? and isn't the realm of the Israelites the East, then?
One of the liabilities of Toynbean style analysis into 'civilizations' has been the failure to see the inherent unity of one 'Civilization' emerging in a series of partially diffentiated versions, rendering the many distinctions misleading, and quite tribalistic. A good example is the case of Japan which modernized sooner than much of Europe, it is a question of 'information', not of continents.
Fascinating take on 'metageography' and a good rolfing of some archaic concepts we take for granted.

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## Download Looking at Lovemaking: Constructions of Sexuality in Roman Art, 100 B.C. - A.D. 250, by John R. Clarke

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What did sex mean to the ancient Romans? In this lavishly illustrated study, John R. Clarke investigates a rich assortment of Roman erotic art to answer this question—and along the way, he reveals a society quite different from our own. Clarke reevaluates our understanding of Roman art and society in a study informed by recent gender and cultural studies, and focusing for the first time on attitudes toward the erotic among both the Roman non-elite and women. This splendid volume is the first study of erotic art and sexuality to set these works—many newly discovered and previously unpublished—in their ancient context and the first to define the differences between modern and ancient concepts of sexuality using clear visual evidence.

Roman artists pictured a great range of human sexual activities—far beyond those mentioned in classical literature—including sex between men and women, men and men, women and women, men and boys, threesomes, foursomes, and more. Roman citizens paid artists to decorate expensive objects, such as silver and cameo glass, with scenes of lovemaking. Erotic works were created for and sold to a broad range of consumers, from the elite to the very poor, during a period spanning the first century B.C. through the mid-third century of our era. This erotic art was not hidden away, but was displayed proudly in homes as signs of wealth and luxury. In public spaces, artists often depicted outrageous sexual acrobatics to make people laugh.

Looking at Lovemaking depicts a sophisticated, pre-Christian society that placed a high value on sexual pleasure and the art that represented it. Clarke shows how this culture evolved within religious, social, and legal frameworks that were vastly different from our own and contributes an original and controversial chapter to the history of human sexuality.

Sales Rank: #1127063 in Books
Published on: 1998-03-23
Original language: English
Number of items: 1
Dimensions: 1.29" h x 7.33" w x 10.28" l,
Binding: Hardcover
406 pages

Review
"Clarke's exegisis of wall paintings from the so-called Suburban Baths, a Roman unisex locker room, is worth the price of the book alone."--"Lingua Franca

From the Inside Flap
"Clarke teaches us to think about how this art was understood and felt by those who lived with it in their daily lives and he speculates that it might even reflect what the Romans actually did. This is the first genuinely contextual and theoretically informed study we have of a vast panoply of classical art about sex. It will be an illuminating book for classicists, historians, and anybody else who finds lovemaking interesting."—Thomas Laqueur, author of Making Sex

"There are few scholars as able to take on this material, as well versed in theories of sexuality, and as comfortable dealing with both heterosexual and homoerotic content as Clarke. The topic is timely and the execution is professional."—Natalie Kampen, Barnard College

"This book should attract not only classicists, but also scholars of sexuality in any field. Clarke succeeds both in introducing little-known material and in defamiliarizing the familiar examples of erotic art."—Anthony Corbeill, University of Kansas

"Looking at Lovemaking proves that the ancients were very different from you and me—that they saw sex not primarily as procreation and never as sin but rather as sport, art, and pleasure, an activity full of humor, tenderness and above all variety. John R. Clarke, by looking at Roman artifacts from several centuries destined to be used by different social classes, reveals that the erotic visual record is far more varied, open-minded and playful than are written moral strictures, which were narrowly formulated by the élite and for the élite. This book is at once discreet and bold—discreetly respectful of nuance and context, boldly clear in drawing the widest possible conclusions about the malleability of human behavior. Clarke has, with meticulous scholarship and a fresh approach, vindicated Foucault's revolutionary claims for the social construction of sexuality."—Edmund White, author of The Beautiful Room is Empty

From the Back Cover
"Clarke teaches us to think about how this art was understood and felt by those who lived with it in their daily lives and he speculates that it might even reflect what the Romans actually did. This is the first genuinely contextual and theoretically informed study we have of a vast panoply of classical art about sex. It will be an illuminating book for classicists, historians, and anybody else who finds lovemaking interesting."-Thomas Laqueur, author of Making Sex

"There are few scholars as able to take on this material, as well versed in theories of sexuality, and as comfortable dealing with both heterosexual and homoerotic content as Clarke. The topic is timely and the execution is professional."-Natalie Kampen, Barnard College

"This book should attract not only classicists, but also scholars of sexuality in any field. Clarke succeeds both in introducing little-known material and in defamiliarizing the familiar examples of erotic art."-Anthony Corbeill, University of Kansas

"Looking at Lovemaking proves that the ancients were very different from you and me-that they saw sex not primarily as procreation and never as sin but rather as sport, art, and pleasure, an activity full of humor, tenderness and above all variety. John R. Clarke, by looking at Roman artifacts from several centuries destined to be used by different social classes, reveals that the erotic visual record is far more varied, open-minded and playful than are written moral strictures, which were narrowly formulated by the élite and for the élite. This book is at once discreet and bold-discreetly respectful of nuance and context, boldly clear in drawing the widest possible conclusions about the malleability of human behavior. Clarke has, with meticulous scholarship and a fresh approach, vindicated Foucault's revolutionary claims for the social construction of sexuality."-Edmund White, author of The Beautiful Room is Empty

Most helpful customer reviews

10 of 12 people found the following review helpful.
Clearly Argued, Captivating Book on an Unusual Topic
By A Customer
Clarke's book provides very clear analysis of the purpose and nature of ancient Roman erotica. He uses a wide range of sources--literature, instructive manuals, precedent in Greek and Roman art, setting, etc.--to back up his arguments, which he presents in a lucid style that is as pleasurable to read as it is easy to follow. I particularly recommend the chapter on erotic art in public locations in Pompeii.

19 of 28 people found the following review helpful.
Lavishly illustrated, unconvincingly argued
By A Customer
Clarke claims he is going to reach down from the Roman elite (which produced the literature) to the masses and to reveal a totally alien (to a presumably homogeneous "us") sexuality. The illustrations are plentiful and may be interpreted in many ways--so many and with so little evidence that any Romans saw any of the ways Clarke does that the reader is left to choose with no real guidance from the author. (And rather a lot of the images come from luxury objects so we remain in the world of representations for the upper stratum of Augustan Rome.)

0 of 0 people found the following review helpful.
Four Stars
By Norman D. Van Manen
This is a well written scholarly book. It helped me to understand that era and lovemaking in it.

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Free PDF The Myth of Continents: A Critique of Metageography, by Martin W. Lewis, Kären Wigen

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