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The Frontier in American Culture, by Richard White, Patricia Nelson Limerick
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Log cabins and wagon trains, cowboys and Indians, Buffalo Bill and General Custer. These and other frontier images pervade our lives, from fiction to films to advertising, where they attach themselves to products from pancake syrup to cologne, blue jeans to banks. Richard White and Patricia Limerick join their inimitable talents to explore our national preoccupation with this uniquely American image.
Richard White examines the two most enduring stories of the frontier, both told in Chicago in 1893, the year of the Columbian Exposition. One was Frederick Jackson Turner's remarkably influential lecture, "The Significance of the Frontier in American History"; the other took place in William "Buffalo Bill" Cody's flamboyant extravaganza, "The Wild West." Turner recounted the peaceful settlement of an empty continent, a tale that placed Indians at the margins. Cody's story put Indians—and bloody battles—at center stage, and culminated with the Battle of the Little Bighorn, popularly known as "Custer's Last Stand." Seemingly contradictory, these two stories together reveal a complicated national identity.
Patricia Limerick shows how the stories took on a life of their own in the twentieth century and were then reshaped by additional voices—those of Indians, Mexicans, African-Americans, and others, whose versions revisit the question of what it means to be an American.
Generously illustrated, engagingly written, and peopled with such unforgettable characters as Sitting Bull, Captain Jack Crawford, and Annie Oakley, The Frontier in American Culture reminds us that despite the divisions and denials the western movement sparked, the image of the frontier unites us in surprising ways.
- Sales Rank: #963685 in Books
- Published on: 1994-10-17
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 1
- Dimensions: 9.88" h x .25" w x 6.88" l, .90 pounds
- Binding: Paperback
- 152 pages
From Publishers Weekly
White and Limerick analyze some of the most pervasive images of the American West, many of which are represented in a show of the same name at Chicago's Newberry Library this fall. In his contribution "Frederick Jackson Turner and Buffalo Bill," White compares Turner, the distinguished historian who first contended that the notion of the frontier was the driving force of American history and culture, and Buffalo Bill Cody, the Wild West performer, who both appeared in Chicago in 1893. It's hard to believe the two are representing the same terrain: Turner's presentation emphasized settlers idyllically filling a near-empty continent with a few peripheral Indians, while Buffalo Bill's re-enactments were of bloody conflicts with murderous natives. Limerick's "Adventures of the Frontier in the Twentieth Century" is incisive and often wry-as is only appropriate for an historian who begins her catalogue of Western images at Disney's Frontierland. Limerick goes on to examine the shameless use of frontier/pioneer images in everything from politics to advertising. At the turn of the century, the frontier was defined as that point at which people were scarce, or as White states, "where white people were scarce"-with Limerick adding, "where white people got scared because they were scarce." Both scholars look at how the frontier influenced interactions between whites and Native Americans, Hispanics, Asians and African Americans, ultimately creating a real melting pot that, maintains Limerick, made the idea of the frontier a "cultural glue" holding Americans together.
Copyright 1994 Reed Business Information, Inc.
From the Inside Flap
"In this beautifully illustrated volume, two of the nation's leading western historians offer brilliant and provocative insight into why the frontier has had such a longstanding and problematic hold on American national thought. Their book is a pleasure both to read and to look at and deserves a wide audience."—William Cronon, Frederick Jackson Turner Professor of History, University of Wisconsin, Madison
"The authors . . . demonstrate a keen awareness of the critical and complex relationship between history and legend in the American West and its consequences for modern Americans. Finely crafted with scholarship and good humor, their thoughtful and provocative ruminations lend fresh insight into the shaping and propagation of America's frontier legacy."—B. Byron Price, National Cowboy Hall of Fame and Western Heritage Center
From the Back Cover
"In this beautifully illustrated volume, two of the nation's leading western historians offer brilliant and provocative insight into why the frontier has had such a longstanding and problematic hold on American national thought. Their book is a pleasure both to read and to look at and deserves a wide audience."--William Cronon, Frederick Jackson Turner Professor of History, University of Wisconsin, Madison
"The authors . . . demonstrate a keen awareness of the critical and complex relationship between history and legend in the American West and its consequences for modern Americans. Finely crafted with scholarship and good humor, their thoughtful and provocative ruminations lend fresh insight into the shaping and propagation of America's frontier legacy."--B. Byron Price, National Cowboy Hall of Fame and Western Heritage Center
Most helpful customer reviews
0 of 0 people found the following review helpful.
Academic deconstructions of the frontier
By Arthur Digbee
At Chicago's 1893 Columbian Exposition, a belated celebration of the 400th anniversary of Christopher Columbus's first voyage to the New World, Frederick Jackson Turner first read his essay on the frontier in American history. Elsewhere at the exposition, Buffalo Bill Cody's Wild West Show entertained a wider audience with his image of the frontier. One hundred years later, Chicago's Newberry Library exhibited materials on the "frontier," with this book as guide.
The Newberry exhibit explored an interesting juxtaposition between Turner and Cody, and the two major essays here (by Richard White and Patricia Nelson Limerick) present their own interesting juxtapositions. Briefly put, White examines Jackson and Cody, providing insightful readings of both. Limerick sets herself two tasks, to summarize why professional historians reject the word "frontier" while investigating popular images of the same term. She demonstrates that the term remains popular among the public, and discusses how she has come to accept certain uses of the f-word that she once refused to utter.
These are very strong, scholarly essays on the frontier of yesterday and today. If that is the sort of thing you like to read, this book will not disappoint.
0 of 0 people found the following review helpful.
Myth vs Reality: understanding the American Frontier mythology
By Frank
American frontier mythology is critical if you want to understand American culture. Separating myth from historical fact is often difficult for those of us who grew up in an urban culture. During the 1950s - 1960s westerns were the staple of film-making and television. In some ways the power of those images is reflected in our 21st century political landscape.
0 of 0 people found the following review helpful.
Insightful, enjoyable, well written
By NH
The two essays in this thin volume are delightfully well written, insightful, and entertaining. In particular, Limerick's enthusiasm and wit are a testament to the often-forgotten fact that there is such a thing as enjoyable academic writing for both author and audience.
Highly recommended.
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