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A Handlist of Rhetorical Terms, by Richard A. Lanham
PDF Download A Handlist of Rhetorical Terms, by Richard A. Lanham
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The first edition of this widely used work has been reprinted many times over two decades. With a unique combination of alphabetical and descriptive lists, it provides in one convenient, accessible volume all the rhetorical terms—mostly Greek and Latin—that students of Western literature and rhetoric are likely to come across in their reading or to find useful in their writing. Now the Second Edition offers new features that will make it still more useful:—A completely revised alphabetical listing that defines nearly 1,000 terms used by scholars of formal rhetoric from classical Greece to the present day.—A revised system of cross-references between terms.—Many new examples and new, extended entries for central terms.—A revised Terms-by-Type listing to identify unknown terms.—A new typographical design for easier access.
- Sales Rank: #91072 in Books
- Published on: 1991-12-23
- Original language: English
- Number of items: 1
- Dimensions: .55" h x 6.46" w x 8.98" l, .69 pounds
- Binding: Paperback
- 204 pages
Review
"The prose is wonderfully lucid, and the commentary is sensitive to the relationships not only between the traditions of rhetoric and recent developments in literature studies but also between rhetoric and the role of electronic technologies in formulating new notions of argument and textuality."--"Choice
About the Author
Richard A. Lanham is Professor Emeritus of English at the University of California, Los Angeles, and President of Rhetorica, Inc., in Los Angeles.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Five Stars
By Malaka Friedman
Spoiler: It is quite literally a list of rhetorical terms.
5 of 5 people found the following review helpful.
More than a textbook
By Mike Smith
This book--this excellent book--puts a name on just about every literary device, rhetorical term, and classical trope a writer could ever use, and by doing so allows writers and fans of the English language an opportunity to become more aware of what they write and more attuned to how their writing can be improved.
If you fancy yourself a writer, you need this. Get it. Now.
The book is well-organized, easily acccessible, loaded with great quotes, and a treasure trove of unique terms and devices. Some of these you've no doubt used and will be happy to hear these labeled and defined. Others will be new to you but will certainly be of use to you in the future. Chiasmus, anyone?
This was assigned as a textbook for Jerome Shea's classical tropes class at the University of New Mexico, but I would never even consider selling this back at the end of the year. Having been introduced to this, I can no more imagine my writing den without it than I can imagine it without a dictionary or a thesaurus or a hidden drawer full of treats.
70 of 71 people found the following review helpful.
It's Just Fun!
By Stacey Cochran
Over the Christmas holidays, I traveled back east to visit my parents. I carried Lanham's "A Handlist of Rhetorical Terms." One night my mom and I sat up talking about everything from Picasso to metaphysics and at some point we got to talking about Shakespeare. I tried to explain to her why Shakespeare is rhetorically reveered, and at one point I climbed downstairs to the guest room and retrieved Lanham's book. She -- like most of us -- hears the word "rhetoric" and thinks of politicians and empty promises, or phrasing so complicated as to render simple fact obscure.
I think the first word in "Handlist" we got a chuckle over was "chiasmus" and some of the examples like "It's not whether grapenuts are good enough for you, but whether you're good enough for grapenuts!" And the famous "When the going gets tough, the tough get going." The one that gave her the best chuckle though was an editor's advice to a young writer "You're writing is both original and interesting; unfortunately the part that's original is not interesting and the part that is interesting is not original."
The great thing about this book is that it gives name to a great many devices we already use in everyday speech, and for a writer this information is invaluable. The better facility a writer has with these devices the better he or she can express our endless human emotions.
A good many of the examples give the Latin or Greek root word, but the definitions are in English. Many of them have example usage along with the definition.
E.g., "Insultatio": derisive, ironical abuse of a person to his face. As Hamlet says to his mother:
Look on this picture, and on this,
The counterfeit presentment of two brothers.
See what a grace was seated on this brow:
Hyperion's curls, the front of Jove himself...
This was your husband. Look you now what follows.
Here is your husband, like a mildewed ear
Blasting the wholesome brother. Have you eyes?
Could you on this fair mountain leave to feed,
And batten on this moor? Ha! Have you eyes?
(Hamlett, III, iv)
All in all, I think this handlist -- as much a dictionary as a "handlist" of rhetorical devices -- is a rich resource for writers, law students, political science majors, and young English scholars. Indeed, with this handlist, you could begin your own "Progymnasmata"!
Stacey
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