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Hitchcock on Hitchcock: Selected Writings and Interviews, by Alfred Hitchcock
Ebook Hitchcock on Hitchcock: Selected Writings and Interviews, by Alfred Hitchcock
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Gathered here for the first time are Alfred Hitchcock's reflections on his own life and work. In this ample selection of largely unknown and formerly inaccessible interviews and essays, Hitchcock provides an enlivening commentary on a career that spanned decades and transformed the history of the cinema. Bringing the same exuberance and originality to his writing as he did to his films, he ranges from accounts of his own life and experiences to techniques of filmmaking and ideas about cinema in general. Wry, thoughtful, witty, and humorous—as well as brilliantly informative—this selection reveals another side of the most renowned filmmaker of our time.
Sidney Gottlieb not only presents some of Hitchcock's most important pieces, but also places them in their historical context and in the context of Hitchcock's development as a director. He reflects on Hitchcock's complicated, often troubled, and continually evolving relationship toward women, both on and off the set. Some of the topics Hitchcock touches upon are the differences between English and American attitudes toward murder, the importance of comedy in film, and the uses and techniques of lighting. There are also many anecdotes of life among the stars, reminiscences from the sets of some of the most successful and innovative films of this century, and incisive insights into working method, film history, and the role of film in society.
Unlike some of the complex critical commentary that has emerged on his life and work, the director's own writing style is refreshingly straightforward and accessible. Throughout the collection, Hitchcock reveals a delight and curiosity about his medium that bring all his subjects to life.
- Sales Rank: #959946 in Books
- Published on: 1995-09-13
- Original language: English
- Number of items: 1
- Dimensions: 9.50" h x 6.50" w x 1.25" l,
- Binding: Hardcover
- 360 pages
Amazon.com Review
No one knew more about manipulating a movie audience than Alfred Hitchcock, the legendary master of suspense. But while many film directors have written books about their ideas and techniques, Hitchcock discussed his personal theories almost exclusively in the short articles he wrote throughout his long life. Here, for the first time, most of these hard-to-find pieces have been collected. Sidney Gottlieb's well-edited volume features Hitchcock's thoughts on actors ("they should be treated like cattle"), effective film editing, the power of the thriller, proper uses of a director's talents, and the keys to any good suspense film: sex and murder. Gottlieb's introduction and running commentary is illuminating and helpful.
From Library Journal
Although Hitchcock worked mainly within the suspense genre he experimented endlessly with the form, and few film directors were as clear-eyed about the strengths and limitations of the medium. Every element in his films was carefully planned, with audience involvement essential to the experience. Not surprisingly, Hitchcock constantly explained himself, and this book collects interviews and essays from both his early British and later Hollywood periods. Rare and important pieces include "Why I Am Afraid of the Dark," "Why Thrillers Thrive," and a whimsical but revealing essay, "Women Are a Nuisance"?Hitch claimed men were better actors. Not nearly as entertaining as Truffaut's extended interview, Hitchcock (S. & S., 1967), this book still deserves a place in any important film collection.?Stephen Rees, Bucks Cty. Free Lib., Levittown, Pa.
Copyright 1995 Reed Business Information, Inc.
Review
"The essays, interviews and speeches in this collection make clear that [Hitchcock] enjoyed playing the role of God: in planning and executing his films, he relished the power he exerted as an all-powerful auteur. . . . Hitchcock on Hitchcock provides some telling self-portraits of the director. Almost every piece . . . contains an interesting nugget of technical information, or one or two anecdotal truffles." -- Michiko Kakutani, New York Times
Most helpful customer reviews
0 of 0 people found the following review helpful.
At the feet of the master
By Charles C. Euchner
Great stuff. Might have been better with some editing, but they wanted to capture Hitch in all of his erudite, quirky glory. Awesome analyses of films and -- even more fun -- the techniques of storytelling and film-making.
2 of 2 people found the following review helpful.
A rare chance to read a great director in his own (!) words.
By darragh o'donoghue
So few of the great directors from Hollywood's Golden Age wrote about their craft, either its theory or practice, so this collection of articles, interviews, speeches, lectures and publicity pieces from Alfred Hitchcock is very welcome, even if most were ghost-written.
The volume covers his career from humble menial in 1919 to aging maestro in the 1930s, and includes his thoughts on acting, plots, the studio system, producers, production, technicians, genre audiences, Britain, and, of course, style.
There are some priceless anecdotes about Hitchcock's early directing days in the haphazard British film industry, a short story parodying Poe and sensationalist horror stories; the important essay 'Why I am Afraid of the Dark', acknowledging his debt to Poe and the Surrealists; an hilarious interview with a wannabe auteurist who doesn't even know what a cut is (Interviewer: 'our magazine is for 'the intelligent motion picturegoer''. Hitch: 'Are there intelligent picturegoers'!); and an intriguing transcription of a screenwriting session for 'Marnie' with Evan Hunter.
The great problem with this book is its editing. Firstly, Gottlieb's claims for the material are ludicrously disproportionate, and his lengthy introductions overstretch what is largely superficial material. Hitch's ruminations on the audience and narrative, say, do not look forward to the current interests of film studies as if he were some kind of soothsayer, but reflect the concerns of all film-makers working in the same periods. As Truffaut's book on Hitchcock proved in any case, it would be unwise to take everything the Master said at face value; and there is a typical unwillingness in these pieces to discuss the 'meaning' of his work.
More seriously, there is far too much repetition of material, as we watch Hitchcock recycling the same insights, stories and examples for different readerships; no amount of editorial sophism can prevent the reading becoming tedious.
3 of 4 people found the following review helpful.
Rambling And Forgettable
By A Customer
This should have been a great book. However, this collection of interviews, essays and writings from Alfred Hitchcock develops into an almost utterly incoherent mess that has no shape and is hard to get into.
The editor clearly loves Hitchcock and his work, it's just a shame this love is so poorly expressed. The constantly changing, unconnected 'chapters' will leave you confused and losing interest in finishing the book.
However, I endured all the way to the end. Whilst it's nowhere near the satisfying read it should be, there are a few - repeat a few - interesting tidbits of information. But unless you're a die hard Hitchcock fan you're better off avoiding this book.
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