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Using the tools of contemporary semiotic theory to analyze classical rabbinic hermeneutics and medieval mystical exegesis, Betty Rojtman unveils a striking modernity in these early forms of textual interpretation. The metaphor from rabbinic literature that describes the writing of the Torah—black fire on white fire—becomes, in Rojtman's analysis, a figure for the differential structures that can be found throughout rabbinic discourse. Moving through the successive levels of traditional commentary, from early Midrash to modern Kabbalah, Rojtman examines the tension between the fluidity and nuance of the biblical text and the fixed commitment to ideological and theological content. To examine this strain between open text and sacred language, Rojtman scrutinizes the demonstrative, "this," as a word whose significance changes with every change in context. Her analysis suggests a double-layered meaning for "this," which refers to the existential world in its multiplicity but also to transcendence and the eternal presence of God.
- Sales Rank: #2187695 in Books
- Published on: 1998-02-27
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .48" w x 5.51" l, .60 pounds
- Binding: Paperback
- 205 pages
Language Notes
Text: English (translation)
Original Language: French
From the Inside Flap
"A remarkable book. . . . Rojtman's analysis is very stimulating, especially since the use of linguistic notions does not prevent her from remaining sensitive to the spiritual concerns of the commentators she analyzes."—Thomas Pavel, author of The Feud of Language
From the Back Cover
"A remarkable book. . . . Rojtman's analysis is very stimulating, especially since the use of linguistic notions does not prevent her from remaining sensitive to the spiritual concerns of the commentators she analyzes."--Thomas Pavel, author "of The Feud of Language
Most helpful customer reviews
0 of 0 people found the following review helpful.
Word Salad at it's Worst
By David G.
Unusual for Jewish religious thinkers, the language reads like a second rate Christian systematic theological treatise with gobbledegook words which not even other theologians can understand. It is word salad at its worst, obscure and unilluminating. There may be something here, but for me it's not worth the trouble. From the introduction, one can be momentarily hopeful of something much better, but that fades fast. Rotjman, or possibly the translator, makes reading Sartre, or Husserl, or Heidegger a picnic by comparison. When writing gets this silly it is hard not to wonder if the author isn't just throwing a screen, trying much too hard to sound intelligent.
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