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Paris as Revolution: Writing the Nineteenth-Century City, by Priscilla Parkhurst Ferguson
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In nineteenth-century Paris, passionate involvement with revolution turned the city into an engrossing object of cultural speculation. For writers caught between an explosive past and a bewildering future, revolution offered a virtuoso metaphor by which the city could be known and a vital principle through which it could be portrayed.
In this engaging book, Priscilla Ferguson locates the originality and modernity of nineteenth-century French literature in the intersection of the city with revolution. A cultural geography, Paris as Revolution "reads" the nineteenth-century city not in literary works alone but across a broad spectrum of urban icons and narratives. Ferguson moves easily between literary and cultural history and between semiotic and sociological analysis to underscore the movement and change that fueled the powerful narratives defining the century, the city, and their literature. In her understanding and reconstruction of the guidebooks of Mercier, Hugo, Vallès, and others, alongside the novels of Flaubert, Hugo, Vallès, and Zola, Ferguson reveals that these works are themselves revolutionary performances, ones that challenged the modernizing city even as they transcribed its emergence.
- Sales Rank: #3385394 in Books
- Published on: 1994-11-23
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 1
- Dimensions: 9.25" h x 6.25" w x 1.00" l,
- Binding: Hardcover
- 267 pages
From Library Journal
Scholars have always been aware that the French Revolution had many lasting legacies, in France and throughout the world. Ferguson (Literary France, Univ. of California Pr., 1987) further demonstrates the vibrancy of the revolutionary heritage by looking at the city of Paris itself. She argues that the city could claim revolution as its very principle. The debates among politicians, historians, and philosophers about the revolution were reflected in descriptions of the city found in guidebooks, in the new names selected for dozens of streets, in the urban renewal projects of Baron Haussmann, and in the active role the city played in the novels of Hugo, Valles, Flaubert, and Zola. Though the book is based on impressive research, its appeal to the general audience will be limited by the author's frequent reliance on jargon like "literature of articulation" and "aesthetic of iteration." For scholarly collections.
T.J. Schaeper, St. Bonaventure Univ., N.Y.
Copyright 1994 Reed Business Information, Inc.
From the Inside Flap
"In this absolutely powerful and innovative book, Priscilla Parkhurst Ferguson illuminates the complex links between the Revolution of 1789, the different revolutions that took place in 19th-century Paris, and two aesthetic forms characteristic of the cultural discourses of modernity: panoramic journalism and the realist and historical novels authored by Balzac, Flaubert, Hugo, Zola, and Vallès. A work of cultural history with stimulating implications, Paris as Revolution is well-structured, carefully argued and problematized, and compelling in its scholarship."—Catherine Nesci, author of La Femme mode d'emploi
"A fascinating and richly suggestive essay on the cultural geography of nineteenth-century Paris. It is imaginatively conceived, broad in its reach, boldly interdisciplinary. Ferguson's success in combining literary criticism, historical interpretation and sociological analysis to reconstruct the shifting meanings given to the experiences of urbanization and revolution is most impressive."—Jonathan Beecher, author of Charles Fourier: The Visionary and His World
From the Back Cover
"In this absolutely powerful and innovative book, Priscilla Parkhurst Ferguson illuminates the complex links between the Revolution of 1789, the different revolutions that took place in 19th-century Paris, and two aesthetic forms characteristic of the cultural discourses of modernity: panoramic journalism and the realist and historical novels authored by Balzac, Flaubert, Hugo, Zola, and Valls. A work of cultural history with stimulating implications, Paris as Revolution is well-structured, carefully argued and problematized, and compelling in its scholarship." (Catherine Nesci, author of La Femme mode d'emploi)
Most helpful customer reviews
3 of 3 people found the following review helpful.
Paris as symbol of the revolution
By Bo K.
An excellent literary analysis of the city of Paris, starting from 1789. The book reviews Balzac's conception of the "flaneur" as a self-possessed watcher, and then explains how Modernism seeps in and corrupts, with Baudelaire and Flaubert. Miss Parkhurst Ferguson is not merely literary in her analysis, however; this book is also part Urban study, and part history of the conception of the city of Paris; all these elements are combined with great interest. The chapter on Hugo is a bit dry, perhaps because I don't care for Hugo; and I wished that she would have written more about Zazie dans le metro than the few ending statements she makes. But overall a great read for someone interested in the history of Paris, French modernist lit, and conceptions of the Revolution(s) of Paris and France.
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