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Nuns as Artists: The Visual Culture of a Medieval Convent, by Jeffrey F. Hamburger
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Jeffrey F. Hamburger's groundbreaking study of the art of female monasticism explores the place of images and image-making in the spirituality of medieval nuns during the later Middle Ages. Working from a previously unknown group of late-fifteenth-century devotional drawings made by a Benedictine nun for her cloistered companions, Hamburger discusses the distinctive visual culture of female communities. The drawings discovered by Hamburger and the genre to which they belong have never been given serious consideration by art historians, yet they serve as icons of the nuns' religious vocation in all its complexity.
Setting the drawings and related imagery—manuscript illumination, prints, textiles, and metalwork—within the context of religious life and reform in late medieval Germany, Hamburger reconstructs the artistic, literary, and institutional traditions that shaped the lives of cloistered women.
Hamburger convincingly demonstrates the overwhelming importance of "seeing" in devotional practice, challenging traditional assumptions about the primacy of text over image in monastic piety. His presentation of the "visual culture of the convent" makes a fundamental contribution to the history of medieval art and, more generally, of late medieval monasticism and spirituality.
- Sales Rank: #2198504 in Books
- Published on: 1997-05-30
- Original language: English
- Number of items: 1
- Dimensions: 10.33" h x 1.14" w x 7.23" l, 2.69 pounds
- Binding: Hardcover
- 370 pages
Amazon.com Review
This groundbreaking book explores, in unprecedented detail, the distinctive visual culture of female communities, a genre never before given serious attention by art historians. The group of works discussed, a previously undiscovered group of devotional drawings by a Benedictine nun in the later Middle Ages, also includes illuminated manuscripts, prints, textiles, and metalwork. This book carefully reconstructs the artistic traditions that were fundamental to the lives of cloistered women. Nuns that were separated from the high altar, for instance, could participate in the mass through their art, which served as an expression of visual longing. The drawings provided the nuns with a substitute for sacramental presence and thus represented the fulfillment of spiritual desires. This fascinating, if scholarly, work is a gladly received contribution to the study of medieval art.
Review
"Hamburger has conquered a new province of medieval art. Thanks to his efforts "nuns as artists will be no longer overlooked."--"New York Review of Books
From the Inside Flap
"Hamburger's singular discovery of a group of devotional drawings made by an anonymous nun . . . is here presented with magisterial learning, theoretical sophistication, and deep human sympathy."—V. A. Kolve, University of California, Los Angeles
Most helpful customer reviews
4 of 6 people found the following review helpful.
a masterful work
By LuelCanyon
An exquisite book in every way. Hamburger's arguments are spun with cosmic refinement, letting the whole mediaeval spirit reign human and beautiful, and focusing on its treasures - the mediaeval convent and the women religious whose work as artisans of devotion remains to this day an urgent interest. The story is unheard of, and soaked with succinct scholarship. The writing's uncommonly beautiful, full of intellectual fervor, but as mild as the Jesu of the women whose remarkable images still astonish after hundreds of years. The red Christ is a pure doctrinal exegisis for every age, and a real find. Hamburger draws the right relationship between the nuns' art, their lives of profession, and essential information about the religious' interior relationship to the wider Church throughout the high Middle Ages. His fondness for and ready assent to the vitality of the art of the nuns of St Walburg only shows his scholarship more clearly. Nothing gets in the way, and the illustrations from beginning to end are unforgettable. A large section of full color plates (including the red Christ) in the center of the book, and the vital b/w illustrations are closeup, and a critical part of a captivating story. We're told as much about our own age by this masterful book as we are the world of gifted cloistered women, and the implications of that are far-reaching.
2 of 6 people found the following review helpful.
Disappointing to me
By Mark Thrice
Sadly, there is NOT a large section of color images, just a few pages. Without color these pictures do not convey much. Perhaps I feel this way because I am a visual artist, but I need to see the color to understand these images. There is no place online that I can find that offers these images in color.
Do not buy this book thinking that its pictures are worth much. Perhaps the words will have enough value for others to make it worth its high price, but for me it was a sad disappointment.
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