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This single-volume, unabridged paperback edition of The Three Kingdoms: A Historical Novel is out of stock indefinitely. Please see our new two-volume, unabridged paperback edition, which is identical to this book except that it is divided in two: Part One; Part Two
- Sales Rank: #3292772 in Books
- Published on: 1994-10-13
- Original language: English
- Number of items: 1
- Dimensions: 2.41" h x 7.05" w x 9.98" l,
- Binding: Paperback
- 1096 pages
Review
"A martial epic with an astonishing fidelity to history, which has been translated now into lively English by Moss Roberts. . . . The subject matter of Three Kingdoms has long held an extraordinary grip on the Chinese imagination. . . . The great achievement of the author . . . was to match historiography with fiction and gain a synergistic effect from the combination of elite and popular tradition." -- Patrick Hanan, New York Times Book Review
Language Notes
Text: English (translation)
Original Language: Chinese
From the Back Cover
"Simply, a terrific story . . . an absorbing, rewarding, and majestic novel." (John S. Service, Center for Chinese Studies, Berkeley)
Most helpful customer reviews
219 of 233 people found the following review helpful.
A fine, if somewhat modernized, translation of the classic.
By D. Mok
"Romance of the Three Kingdoms" is possibly the most famous and important novel in classic Chinese literature. Not only is it the earliest of the "Four Great Books" (as evidenced by its more archaic language), but it created a complete cultural phenomenon whose impact is still fresh today -- just ask all the young people today who, without having read a word of the book, still know the characters from the strategy and fighting video games released by the company Koei. And how many literary works can claim to have had a direct impact on history as this book, which was used as a strategy text by the great Manchurian leader Nurhachi and his son Hongtaiji?
I'd read the original archaic text when I was about eight years old, so obviously my views will be heavily slanted by my familiarity with this text. On approaching this translation, what I find is a well done, respectful and informative translation that doesn't quite nail the tone of the original text, but will be a good read for modern readers who don't read Chinese.
And to be honest, Chinese is extremely hard to translate into English. Just the fact that subjects, articles and pronouns are often omitted from a sentence is enough to cause nightmares for a Chinese-English translator. And even by Chinese standards, The Three Kingdoms is a work whose linguistic economy is staggering. In one page, this book can convey the deaths of half a dozen characters, three to four battles, multiple schemes, and include four or five "tribute" poems, to boot. Such is the style of this work, and it could not have been easy for translator Moss Roberts to adapt this style into English. And he has done the job remarkably, for though I don't think he was able to convey the flavour and rhythm of the original language (the question is, also, whether that would have been possible), his translation makes a good read, and strives to be faithful to the original text, down to the chapter divisions and the inclusion of the "tribute" poems which frequent the book. This was an essential piece in the style of the book and I was joyed to see the device retained.
There are instances scattered throughout where I felt the tone of the language may have been misinterpreted, or diluted by the language barrier. Obviously, I'm not a Chinese professor (as Prof. Roberts is), but as a native speaker, I felt his translations sometimes didn't quite hit the mark. For example, in the original text, one poem on the character Cao Cao distinctly used a word which meant "deception" or "guile", but Prof. Roberts adapted it to "craft", which dilutes the disapproving tone of the original. When Yuan Shao refused aid to Liu Bei on account of his son's illness, his advice to the messenger was "if he is in trouble, he may seek refuge with me", which suggests patronage, not "find refuge north of the river", which suggests a tactical manoeuvre related to geography. These are but two examples and you can certainly argue that the meaning of the original text is up for grabs, but as a Chinese native speaker and reader, one who has grown up with this text and re-read the book hundreds of times, I still find the translation a little off. There is also no attempt at creating period flavour in the language -- the translation is modern, not aiming to add archaic English flavour to try to reflect the age of the original Chinese text. This may be a good point, however, since the use of archaic English added to the language barrier might have resulted in a book that's very difficult to read. I think Prof. Roberts sacrificed flavour for clarity, a fair tradeoff to the benefit of the translation.
Again, the question is whether an English translation (or any other translation) could ever be accurate in this way to the original. Personally, I do think many of the discrepancies in meaning could have been avoided, or ameliorated. However, as aforementioned, for a reader who's never read the original, this issue won't affect his/her enjoyment of the text. Just the fact that there is a translation of this extremely important work of Chinese literature is a cause for celebration, and for those people new to this realm, this set of books is a great discovery.
181 of 193 people found the following review helpful.
Quite possibly the greatest book I've read
By R. Khan
I first became intrigued with the Three Kingdoms's historical events when I played the game Dynasty Warriors 2 for PS2. Afterwards I was desperately searching to find the best novel translation and finally bought the 4-volume box set translated by Moss Roberts which is the UNABRIDGED version(make sure to get this edition as it tells the whole story w/o leaving anything out).I then set out to explore the 2200+ pages of Chinese history and I must say, it was a fascinating experience. I initially grasped what was going to happen in time but there was so much other details to the story and idealisms portrayed. Leadership, loyalty, heroism, military tactics and warfare, treason, and even romance play such a significant role in this epic novel. "The empire long united, must divide" and "the empire long divided, must unite" pretty much opens and closes the novel perfectly. Heroes such as Guan Yu, Zhang Fei, Zhao Yun, and Huang Gai portray such loyalty that it would be kind of hard to imagine in today's society. From the other reviews I've read, most people think Liu Bei (Xuande) is the protaganist of the novel and this seems very true since Roberts lauds Bei's characteristics and portrays Cao Cao of the evil and cunning type. Personally, I think anyone can choose their personal protaganist and for me that would be Zhao Yun because of his undisputed bravery and loyalty. Another character that I admired was probably Zhuge Liang for his awe-aspiring military tactics. Zhuge was the best strategist of his time and he wrote several books on warfare but unfortunately, most were destroyed but you can still buy one of his famous books, "The Art of War." Warning, spoiler ahead:
This book has its sad moments particularly when someone important or someone who contributed a lot to his lord dies. You'll feel sympathetic towards those who fought hard as well as the ones who died. When the book starts, it's during the impending collapse of the Han then around 220 is when the real three kingdoms come into play: Shu, Wu, and Wei. It's sort of like a battle to the death of who would emerge victorious and indeed there was. Military tactics are exploited on each side and betrayal is widespread. In the end, it would be Sima Yi's family who would unite China under one rule, the Jin Dyansty.
0 of 0 people found the following review helpful.
Videogames can lend themselves to Historical/Literary education.
By Adam S
This is an awesome set. Complaints about how thin the paper is I find to be unreasonable. The paper is completely adequate - now the New American Bible - that's thin paper. The typos are slightly annoying but not too much of a big deal. The translation I find to be very readable. The material is dense and the footnotes are vital. The amount of information on even a single page is astounding and does not lend itself to a quick or passive read. Anyone who has read more difficult historical works such as Thucydides or Caesar shouldn't have any problem with the style.
Like most I became aware of this story through video games, specifically the Dynasty Warriors games. The games were a good primer for the actual text, as the reader already has mental images of the characters and battles - while the mental images of the characters conjured by the games may not be historical, or accurate, they lend themselves to remembering and differentiating individuals - which can be difficult for western readers because of the Chinese names which naturally seem foreign and hard to remember to westerners. I have always had an easier time with Japanese personal names over Chinese personal names, When you start throwing in X's and Z's in the translated names, my brain just goes "What? Strange and unfamiliar!" Therefore the primer videogame course helped me immensely.
I do wish the box that holds all 4 volumes was a little more robust, but for the price of the set, I cant really complain. Overall very pleased. Now I need a statue of Lord Guan to start offering incense to the "God of War."
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